Catalogue
| Émetteur | Entella |
|---|---|
| Année | 320 BC - 300 BC |
| Type | Standard circulation coin |
| Valeur | Tetradrachm (20) |
| Devise | Litra |
| Composition | Silver |
| Poids | 16.91 g |
| Diamètre | 24 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | HGC 2#289 , Jenkins P3#264 |
| Description de l’avers | |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | |
| Écriture du revers | Phoenician |
| Légende du revers | |
| Tranche | |
| Atelier | |
| Tirage | |
| ID Numisquare | 2273437560 |
| Informations supplémentaires |
Historical Context: This silver tetradrachm from Entella, dated 320-300 BC, reflects a turbulent period in Sicilian history, dominated by Agathocles of Syracuse. Entella, an Elymian city with Hellenic influence, navigated complex alliances between Syracusan hegemony and Carthaginian interests. Issuing this substantial silver denomination (16.91 gg) underscores the city's economic importance, likely funding military endeavors during constant conflict across the island.
Artistry: The artistic execution of this tetradrachm exemplifies the high standards of late Classical to early Hellenistic numismatic art in Sicily. Engravers are often unattributed, but the coin's style reflects the renowned Syracusan artistic tradition, celebrated for exquisite die-cutting. Designs typically feature robust, finely detailed portraiture on the obverse, often a deity or nymph, rendered in high relief. The reverse commonly depicts a dynamic scene, such as a quadriga, showcasing powerful movement and intricate detail, characteristic of sculptural mastery.
Technical/Grading: Struck on a broad flan (24 mmmm), this tetradrachm adheres to the Attic weight standard of 16.91 grams, signifying meticulous production. Key strike qualities include a well-centered design with full details visible, especially on the obverse portrait's hair and facial features, and the high points of the reverse composition, such as horses' heads or the charioteer's drapery. A strong strike ensures deep relief is fully brought up, minimizing flatness and enhancing the overall visual impact and grade.