Stater

Đơn vị phát hành Selge (Pisidia)
Năm 325 BC - 250 BC
Loại Standard circulation coin
Mệnh giá Silver Stater (3)
Tiền tệ Drachm
Chất liệu Silver
Trọng lượng 9.68 g
Đường kính 23.5 mm
Độ dày
Hình dạng Round (irregular)
Kỹ thuật Hammered
Hướng Variable alignment ↺
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo SNG France#1935
Mô tả mặt trước Two wrestlers grappling; BA between.
Chữ viết mặt trước Greek
Chữ khắc mặt trước BA
Mô tả mặt sau Herakles, holding club and lion skin, in fighting stance right; spearhead to right, shield below.
Chữ viết mặt sau Greek
Chữ khắc mặt sau ΣEΛΓEΩN
Cạnh
Xưởng đúc
Số lượng đúc ND (325 BC - 250 BC) - -
ID Numisquare 6884088550
Thông tin bổ sung

Historical Context: This silver stater, issued by the fiercely independent city of Selge in Pisidia between 325 BC and 250 BC, reflects Selge's regional autonomy in the tumultuous aftermath of Alexander's empire. Selge, known for its strategic mountain position and formidable military, maintained sovereignty during the Hellenistic era, often engaging in complex alliances. Issuing substantial silver coinage underscores Selge's economic prosperity and assertion of self-governance in a volatile political landscape.

Artistry: The anonymous engraver's artistry is characteristic of the Late Classical to Early Hellenistic Greek stylistic school. Obverse designs typically feature a powerful Herakles, rendered with naturalistic detail and heroic idealization, often wearing the Nemean lion's scalp. The reverse commonly displays Zeus enthroned or attributes like a club and bow, executed with precision, showcasing high-standard Greek die-cutting.

Technical/Grading: Struck on a substantial silver flan (9.68 grams, 23.5 millimeters), this stater exemplifies Selge's robust coinage. Key high-points for grading include Herakles's hair and lion's mane on the obverse, and Zeus's facial features, musculature, and drapery on the reverse. A well-struck example exhibits sharp, complete details, though minor flan imperfections or slight off-centering are common, reflecting the manual striking process of antiquity.

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