Katalog
| İhraççı | Selge (Pisidia) |
|---|---|
| Yıl | 325 BC - 250 BC |
| Tür | Standard circulation coin |
| Değer | Silver Stater (3) |
| Para birimi | Drachm |
| Bileşim | Silver |
| Ağırlık | 9.68 g |
| Çap | 23.5 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | SNG France#1935 |
| Ön yüz açıklaması | Two wrestlers grappling; BA between. |
|---|---|
| Ön yüz yazısı | Greek |
| Ön yüz lejandı | BA |
| Arka yüz açıklaması | Herakles, holding club and lion skin, in fighting stance right; spearhead to right, shield below. |
| Arka yüz yazısı | Greek |
| Arka yüz lejandı | ΣEΛΓEΩN |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (325 BC - 250 BC) - - |
| Numisquare Kimliği | 6884088550 |
| Ek bilgiler |
Historical Context: This silver stater, issued by the fiercely independent city of Selge in Pisidia between 325 BC and 250 BC, reflects Selge's regional autonomy in the tumultuous aftermath of Alexander's empire. Selge, known for its strategic mountain position and formidable military, maintained sovereignty during the Hellenistic era, often engaging in complex alliances. Issuing substantial silver coinage underscores Selge's economic prosperity and assertion of self-governance in a volatile political landscape.
Artistry: The anonymous engraver's artistry is characteristic of the Late Classical to Early Hellenistic Greek stylistic school. Obverse designs typically feature a powerful Herakles, rendered with naturalistic detail and heroic idealization, often wearing the Nemean lion's scalp. The reverse commonly displays Zeus enthroned or attributes like a club and bow, executed with precision, showcasing high-standard Greek die-cutting.
Technical/Grading: Struck on a substantial silver flan (9.68 grams, 23.5 millimeters), this stater exemplifies Selge's robust coinage. Key high-points for grading include Herakles's hair and lion's mane on the obverse, and Zeus's facial features, musculature, and drapery on the reverse. A well-struck example exhibits sharp, complete details, though minor flan imperfections or slight off-centering are common, reflecting the manual striking process of antiquity.