目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | An armored knight on horseback advancing to the right, rendered in a bold, schematic style typical of Romanesque die-cutting. The rider wears a conical helmet and carries a lance or sword raised in the right hand, while the horse is depicted in full stride. The equestrian figure is contained within a beaded inner circle, surrounded by a border enclosing the remnants of a partially legible Latin marginal legend. The flan is irregular, with some weakness at the edges characteristic of hammered medieval bracteate-era pfennigs. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Austria's Pfennig coinage of this period was produced under a margraviate still consolidating its political identity — the transition from Margraviate to Duchy would not come until the Privilegium Minus of 1156, when Frederick Barbarossa elevated Austria to satisfy the rival claims of Henry Jasomirgott. Attribution across Leopold III, Leopold IV, and Henry II remains genuinely contested because these bracteate-style denars were not systematically differentiated by their issuers, leaving modern cataloguers reliant on hoard stratigraphy and stylistic die groupings rather than documentary evidence.