Hemidrachm

Emitent Prokonnesos
Rok 411 BC - 387 BC
Typ Standard circulation coin
Hodnota 1 Hemidrachm (1/2)
Měna Drachm
Složení Silver
Hmotnost 2.42 g
Průměr 12 mm
Tloušťka
Tvar Round (irregular)
Technika Hammered
Orientace Variable alignment ↺
Rytci
V oběhu do
Reference SNG Ashmolean#949, Jameson#1447, SNG von Aulock#7528
Popis líce Female head (Kore Soteira or Aphrodite?) left.
Písmo líce
Opis líce
Popis rubu Oinochoe.
Písmo rubu Greek
Opis rubu ΠΡΟ ΚΟΝ
Hrana
Mincovna
Náklad ND (411 BC - 387 BC) - -
ID Numisquare 2144244260
Další informace

Historical Context: This silver hemidrachm was issued by the island city of Prokonnesos in the Propontis between 411 BC and 387 BC. This turbulent period, encompassing the Peloponnesian War's end and its aftermath, saw significant geopolitical shifts. Prokonnesos, strategically located on vital trade routes, maintained economic vitality by minting its own currency. This denomination reflects its active participation in regional commerce, facilitating daily transactions and underscoring the city's prosperity amidst broader Hellenic conflicts and Persian influence.

Artistry: While the specific engraver remains anonymous, this hemidrachm belongs to the Late Classical Greek stylistic school. Coinage from this era exhibits refined naturalism, moving towards more nuanced and expressive forms. Despite its diminutive 12 mm size, the dies were meticulously crafted to impart intricate details, reflecting high numismatic artistic standards. The design, typical for Prokonnesos, likely featured a prominent deity or local symbol, executed with a balance of idealization and lifelike quality.

Technical/Grading: Weighing 2.42 grams and measuring 12 millimeters, this silver hemidrachm is a small yet significant piece. Key high-points, such as hair on a portrait or intricate details on a reverse motif, are crucial for assessing wear and strike quality. A well-struck example would exhibit full details, sharp relief, and be well-centered on a round flan, demonstrating careful production. Minor off-centering or slight weakness in strike are common for small denominations of this period, but strong examples reveal the full artistic intent.

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