| Emitent | Padova, Lordship of |
|---|---|
| Rok | 1325-1328 |
| Typ | Standard circulation coin |
| Hodnota | Grosso of 11/2 soldi (18) |
| Měna | Denier |
| Složení | Silver |
| Hmotnost | 1.45 g |
| Průměr | 20 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | |
| Rytci | |
| V oběhu do | |
| Reference | Biaggi#1727, MEC XII#915 |
| Popis líce | Eagle left with wings spread, head turned right, within inner reeded circle. |
|---|---|
| Písmo líce | Latin (uncial) |
| Opis líce |
✠ * PADVA ✿ REGIA (Translation: Padua, royal ...) |
| Popis rubu | Long cross pattée dividing legend and inner reeded circle. Legend ends with small shield of Villanders flanked by trefoils. |
| Písmo rubu | Latin (uncial) |
| Opis rubu |
CIVITA ⸰ S (Translation: ... city) |
| Hrana | Smooth |
| Mincovna | |
| Náklad |
ND (1325-1328) - - |
| ID Numisquare | 1477540570 |
| Další informace |
Historical Context: The Grosso 'Aquilino' of Engelmar of Villanders, struck in Padova (1325-1328), marks a brief but significant chapter. Engelmar, imperial vicar for Louis IV, asserted Holy Roman Imperial authority over the independent city-state. This era was defined by intense power struggles among signorie, the papacy, and the Empire. Engelmar's coinage, particularly the 'Aquilino,' served as a potent symbol of his delegated sovereignty, reflecting the turbulent political landscape of 14th-century Italy.
Artistry: The 'Aquilino' design, as its name implies, prominently features the imperial eagle, likely on the obverse, powerfully conveying Engelmar's delegated authority. Stylistically, the coin aligns with early 14th-century Italian numismatic art, showcasing a transition towards a refined Gothic aesthetic from earlier Romanesque forms. The lettering, typically Lombardic, would frame the central motif, often complemented by a cross or civic emblem on the reverse, consistent with the established grosso format.
Technical/Grading: At 1.45 grams and 20 millimeters, this silver grosso adheres to standard specifications. Technical qualities for medieval issues include irregular flan shapes and variable strike clarity. High-points susceptible to wear are usually the eagle's head and wing tips, or any central effigy. Well-struck examples exhibit sharp feather details and clear legends. Minor double striking or slight off-centering are common, indicative of the manual minting techniques prevalent during this historical period.