Dupondius - Clodius Albinus FELICITAS COS II S C, Felicitas
| 发行方 | Western provinces, Usurpations of |
|---|---|
| 年份 | 194-195 |
| 类型 | Standard circulation coin |
| 面值 | Dupondius (1/8) |
| 货币 | Denarius, Reform of Augustus (27 BC – AD 215) |
| 材质 | Bronze |
| 重量 | 21.8 g |
| 直径 | 28 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | RIC IV.1#58a (dupondius), OCRE#ric.4.ca.58a_dupondius |
| 正面描述 | Head of Clodius Albinus, bare, right. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 |
D CLOD SEPT ALBIN CAES (Translation: Decimus Clodius Septimius Albinus Caesar.) |
| 背面描述 | Felicitas, draped, standing left, holding caduceus in right hand and sceptre in left hand. |
| 背面文字 | Latin |
| 背面铭文 |
FELICITAS COS II S C (Translation: Felicitas. Consul Secundum. Senatus Consultum. Good fortune. Consul for the second time. Decree of the senate.) |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (194-195) - - |
| Numisquare 编号 | 1438598700 |
| 附加信息 |
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Historical Context: Clodius Albinus, initially Caesar, declared himself Augustus in the Western provinces (194-195 CE) amidst civil war against Septimius Severus. This dupondius, from his independent reign, utilized the "FELICITAS COS II S C" legend as crucial propaganda. It projected an image of stability, good fortune, and legitimate authority—emphasized by his second consulship and senatorial approval (S C)—to consolidate support for his claim to sole emperorship.
Artistry: While no specific engraver is attributed, this dupondius reflects the broader Severan imperial style, blending classical form with late Antonine portraiture. The obverse likely depicts a laureate, draped, and cuirassed bust of Clodius Albinus, rendered with generalized realism. The reverse masterfully personifies Felicitas, standing with a caduceus, symbolizing peace, and a cornucopia, representing abundance. This iconography reinforces the aspirational message of prosperity and good fortune under Albinus's rule.
Technical/Grading: This bronze dupondius, 21.8g and 28mm, represents a substantial module. High-points for wear on the obverse include Albinus's hair, nose, and chin. On the reverse, Felicitas's head, the caduceus/cornucopia tops, and drapery folds are critical. Technical strike quality varies; large bronzes often show minor flan irregularities or off-centering. A strong strike reveals full detail in legends, devices, and finer portrait features, coupled with a well-preserved original surface and patina.