Dupondius - Clodius Albinus FELICITAS COS II S C, Felicitas

İhraççı Western provinces, Usurpations of
Yıl 194-195
Tür Standard circulation coin
Değer Dupondius (1/8)
Para birimi Denarius, Reform of Augustus (27 BC – AD 215)
Bileşim Bronze
Ağırlık 21.8 g
Çap 28 mm
Kalınlık
Şekil Round (irregular)
Teknik Hammered
Yönlendirme
Gravürcü(ler)
Dolaşımda olduğu yıl
Referans(lar) RIC IV.1#58a (dupondius), OCRE#ric.4.ca.58a_dupondius
Ön yüz açıklaması Head of Clodius Albinus, bare, right.
Ön yüz yazısı Latin
Ön yüz lejandı D CLOD SEPT ALBIN CAES
(Translation: Decimus Clodius Septimius Albinus Caesar.)
Arka yüz açıklaması Felicitas, draped, standing left, holding caduceus in right hand and sceptre in left hand.
Arka yüz yazısı Latin
Arka yüz lejandı FELICITAS COS II S C
(Translation: Felicitas. Consul Secundum. Senatus Consultum. Good fortune. Consul for the second time. Decree of the senate.)
Kenar
Darphane
Basma adedi ND (194-195) - -
Numisquare Kimliği 1438598700
Ek bilgiler

Historical Context: Clodius Albinus, initially Caesar, declared himself Augustus in the Western provinces (194-195 CE) amidst civil war against Septimius Severus. This dupondius, from his independent reign, utilized the "FELICITAS COS II S C" legend as crucial propaganda. It projected an image of stability, good fortune, and legitimate authority—emphasized by his second consulship and senatorial approval (S C)—to consolidate support for his claim to sole emperorship.

Artistry: While no specific engraver is attributed, this dupondius reflects the broader Severan imperial style, blending classical form with late Antonine portraiture. The obverse likely depicts a laureate, draped, and cuirassed bust of Clodius Albinus, rendered with generalized realism. The reverse masterfully personifies Felicitas, standing with a caduceus, symbolizing peace, and a cornucopia, representing abundance. This iconography reinforces the aspirational message of prosperity and good fortune under Albinus's rule.

Technical/Grading: This bronze dupondius, 21.8g and 28mm, represents a substantial module. High-points for wear on the obverse include Albinus's hair, nose, and chin. On the reverse, Felicitas's head, the caduceus/cornucopia tops, and drapery folds are critical. Technical strike quality varies; large bronzes often show minor flan irregularities or off-centering. A strong strike reveals full detail in legends, devices, and finer portrait features, coupled with a well-preserved original surface and patina.

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