Dupondius - Clodius Albinus FELICITAS COS II S C, Felicitas
| 発行体 | Western provinces, Usurpations of |
|---|---|
| 年号 | 194-195 |
| 種類 | Standard circulation coin |
| 額面 | Dupondius (1/8) |
| 通貨 | Denarius, Reform of Augustus (27 BC – AD 215) |
| 材質 | Bronze |
| 重量 | 21.8 g |
| 直径 | 28 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | RIC IV.1#58a (dupondius), OCRE#ric.4.ca.58a_dupondius |
| 表面の説明 | Head of Clodius Albinus, bare, right. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 |
D CLOD SEPT ALBIN CAES (Translation: Decimus Clodius Septimius Albinus Caesar.) |
| 裏面の説明 | Felicitas, draped, standing left, holding caduceus in right hand and sceptre in left hand. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 |
FELICITAS COS II S C (Translation: Felicitas. Consul Secundum. Senatus Consultum. Good fortune. Consul for the second time. Decree of the senate.) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (194-195) - - |
| Numisquare ID | 1438598700 |
| 追加情報 |
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Historical Context: Clodius Albinus, initially Caesar, declared himself Augustus in the Western provinces (194-195 CE) amidst civil war against Septimius Severus. This dupondius, from his independent reign, utilized the "FELICITAS COS II S C" legend as crucial propaganda. It projected an image of stability, good fortune, and legitimate authority—emphasized by his second consulship and senatorial approval (S C)—to consolidate support for his claim to sole emperorship.
Artistry: While no specific engraver is attributed, this dupondius reflects the broader Severan imperial style, blending classical form with late Antonine portraiture. The obverse likely depicts a laureate, draped, and cuirassed bust of Clodius Albinus, rendered with generalized realism. The reverse masterfully personifies Felicitas, standing with a caduceus, symbolizing peace, and a cornucopia, representing abundance. This iconography reinforces the aspirational message of prosperity and good fortune under Albinus's rule.
Technical/Grading: This bronze dupondius, 21.8g and 28mm, represents a substantial module. High-points for wear on the obverse include Albinus's hair, nose, and chin. On the reverse, Felicitas's head, the caduceus/cornucopia tops, and drapery folds are critical. Technical strike quality varies; large bronzes often show minor flan irregularities or off-centering. A strong strike reveals full detail in legends, devices, and finer portrait features, coupled with a well-preserved original surface and patina.