| Émetteur | Serbia (medieval) |
|---|---|
| Année | 1402-1427 |
| Type | Standard circulation coin |
| Valeur | 1 Dinar |
| Devise | Dinar (1217-1459) |
| Composition | Silver |
| Poids | 1.03 g |
| Diamètre | |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | Jovanovic#41.41 |
| Description de l’avers | Inscription in three lines flanked by 4 stars and 2 lilies. |
|---|---|
| Écriture de l’avers | Cyrillic (medieval) |
| Légende de l’avers |
ДЕ ⚜ СПО ⚜ Тb (Translation: Despot.) |
| Description du revers | Christ sitting on the low-back throne, holding book of gospels decorated with 5 gems, dividing name, and flanked by two lilies. |
| Écriture du revers | Greek |
| Légende du revers |
IC XC (Translation: Jesus Christ) |
| Tranche | |
| Atelier | |
| Tirage |
ND (1402-1427) - - |
| ID Numisquare | 1454204720 |
| Informations supplémentaires |
Historical Context: The Dinar of Stefan Lazarević, minted 1402-1427, marks a pivotal era in medieval Serbia. As Despot, Stefan skillfully navigated complex geopolitics after the Battle of Ankara, securing a period of relative stability, cultural flourishing, and economic growth. A highly educated leader and patron of arts, his reign saw Serbia as a significant, albeit precarious, power. This coinage symbolizes Serbian sovereignty and resilience against Ottoman pressures, reflecting a brief renaissance.
Artistry: The artistic execution of this Dinar reflects strong Byzantine numismatic influence, adapted with local Serbian stylistic elements. The anonymous engraver typically rendered a bust of Christ Pantocrator on the obverse, symbolizing divine authority. The reverse commonly depicts Despot Stefan himself, often enthroned or standing, holding regalia like a sword or scepter, accompanied by Cyrillic inscriptions identifying his name and title. This blend of sacred and secular imagery is characteristic.
Technical/Grading: This silver Dinar (1.03 gg) typically displays characteristics common to medieval minting. High-points prone to wear or weak strike include facial features of Christ and Stefan, crown details, and legend extremities. Technical strike quality varies; planchets are often irregular, leading to off-center strikes or partial impressions. Despite these imperfections, well-preserved examples show clear central motifs and legible inscriptions, reflecting the die's original design, though minor flan cracks or weak areas are common.