| Emittent | Serbia (medieval) |
|---|---|
| Jahr | 1402-1427 |
| Typ | Standard circulation coin |
| Nennwert | 1 Dinar |
| Währung | Dinar (1217-1459) |
| Material | Silver |
| Gewicht | 1.03 g |
| Durchmesser | |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | Jovanovic#41.41 |
| Aversbeschreibung | Inscription in three lines flanked by 4 stars and 2 lilies. |
|---|---|
| Aversschrift | Cyrillic (medieval) |
| Averslegende |
ДЕ ⚜ СПО ⚜ Тb (Translation: Despot.) |
| Reversbeschreibung | Christ sitting on the low-back throne, holding book of gospels decorated with 5 gems, dividing name, and flanked by two lilies. |
| Reversschrift | Greek |
| Reverslegende |
IC XC (Translation: Jesus Christ) |
| Rand | |
| Prägestätte | |
| Auflage |
ND (1402-1427) - - |
| Numisquare-ID | 1454204720 |
| Zusätzliche Informationen |
Historical Context: The Dinar of Stefan Lazarević, minted 1402-1427, marks a pivotal era in medieval Serbia. As Despot, Stefan skillfully navigated complex geopolitics after the Battle of Ankara, securing a period of relative stability, cultural flourishing, and economic growth. A highly educated leader and patron of arts, his reign saw Serbia as a significant, albeit precarious, power. This coinage symbolizes Serbian sovereignty and resilience against Ottoman pressures, reflecting a brief renaissance.
Artistry: The artistic execution of this Dinar reflects strong Byzantine numismatic influence, adapted with local Serbian stylistic elements. The anonymous engraver typically rendered a bust of Christ Pantocrator on the obverse, symbolizing divine authority. The reverse commonly depicts Despot Stefan himself, often enthroned or standing, holding regalia like a sword or scepter, accompanied by Cyrillic inscriptions identifying his name and title. This blend of sacred and secular imagery is characteristic.
Technical/Grading: This silver Dinar (1.03 gg) typically displays characteristics common to medieval minting. High-points prone to wear or weak strike include facial features of Christ and Stefan, crown details, and legend extremities. Technical strike quality varies; planchets are often irregular, leading to off-center strikes or partial impressions. Despite these imperfections, well-preserved examples show clear central motifs and legible inscriptions, reflecting the die's original design, though minor flan cracks or weak areas are common.