| Emisor | Serbia (medieval) |
|---|---|
| Año | 1402-1427 |
| Tipo | Standard circulation coin |
| Valor | 1 Dinar |
| Moneda | Dinar (1217-1459) |
| Composición | Silver |
| Peso | 1.03 g |
| Diámetro | |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | Variable alignment ↺ |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | Jovanovic#41.41 |
| Descripción del anverso | Inscription in three lines flanked by 4 stars and 2 lilies. |
|---|---|
| Escritura del anverso | Cyrillic (medieval) |
| Leyenda del anverso |
ДЕ ⚜ СПО ⚜ Тb (Translation: Despot.) |
| Descripción del reverso | Christ sitting on the low-back throne, holding book of gospels decorated with 5 gems, dividing name, and flanked by two lilies. |
| Escritura del reverso | Greek |
| Leyenda del reverso |
IC XC (Translation: Jesus Christ) |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (1402-1427) - - |
| ID de Numisquare | 1454204720 |
| Información adicional |
Historical Context: The Dinar of Stefan Lazarević, minted 1402-1427, marks a pivotal era in medieval Serbia. As Despot, Stefan skillfully navigated complex geopolitics after the Battle of Ankara, securing a period of relative stability, cultural flourishing, and economic growth. A highly educated leader and patron of arts, his reign saw Serbia as a significant, albeit precarious, power. This coinage symbolizes Serbian sovereignty and resilience against Ottoman pressures, reflecting a brief renaissance.
Artistry: The artistic execution of this Dinar reflects strong Byzantine numismatic influence, adapted with local Serbian stylistic elements. The anonymous engraver typically rendered a bust of Christ Pantocrator on the obverse, symbolizing divine authority. The reverse commonly depicts Despot Stefan himself, often enthroned or standing, holding regalia like a sword or scepter, accompanied by Cyrillic inscriptions identifying his name and title. This blend of sacred and secular imagery is characteristic.
Technical/Grading: This silver Dinar (1.03 gg) typically displays characteristics common to medieval minting. High-points prone to wear or weak strike include facial features of Christ and Stefan, crown details, and legend extremities. Technical strike quality varies; planchets are often irregular, leading to off-center strikes or partial impressions. Despite these imperfections, well-preserved examples show clear central motifs and legible inscriptions, reflecting the die's original design, though minor flan cracks or weak areas are common.