Dichalkon

发行方 Pergamon
年份 150 BC - 100 BC
类型 Standard circulation coin
面值 Dichalkon (1⁄24)
货币 Drachm
材质 Bronze
重量 4.13 g
直径 18.5 mm
厚度
形状 Round (irregular)
制作工艺 Hammered
方向 Variable alignment ↺
雕刻师
流通至
参考资料 SNG France#1900-4, GCV#3963, BMC Greek#191
正面描述 Helmeted head of Athena facing right. A star on the helmet.
正面文字
正面铭文
背面描述 Owl standing facing on palm frond.
背面文字 Greek
背面铭文 AΘH NAΣ NIKΗΦΟΡΟΥ
(Translation: Athena Nikiphoros)
边缘
铸币厂
铸造量 ND (150 BC - 100 BC) - -
Numisquare 编号 6187700480
附加信息

Historical Context: This Dichalkon was struck in Pergamon between 150 and 100 BC, a pivotal era following the bequest of the Attalid Kingdom to Rome by Attalus III in 133 BC. While Pergamon transitioned into the Roman province of Asia, it maintained significant civic autonomy and economic vitality. This bronze coinage facilitated daily commerce, reflecting the city's enduring cultural identity and its status as a prominent Hellenistic center, even under increasing Roman influence. Such issues underscore the continuity of local administration and economic life during a period of profound political transformation.

Artistry: The coin embodies the late Hellenistic artistic tradition prevalent in Pergamon, renowned for its dynamic sculptural school. While no specific engraver is attributed, the style likely reflects the skilled local artisans who continued the rich Pergamene aesthetic. Typical designs for this period often feature the head of a deity, such as Athena, patroness of the city, on the obverse, rendered with expressive detail and classical proportions. The reverse would commonly display a civic emblem or cult object, maintaining a connection to Pergamon's rich religious and cultural heritage.

Technical/Grading: Struck on a bronze flan weighing 4.13 grams and measuring 18.5 millimeters, this Dichalkon exhibits typical characteristics for its type. High-points of the design, such as the hair and facial features of the obverse deity or prominent elements of the reverse symbol, are often the first areas to show wear. Strike quality can vary, with some examples displaying off-center strikes or areas of flatness due to uneven die pressure, common for bronze issues of the period. A well-preserved specimen would show strong detail, good centering, and minimal flan imperfections.

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