Dichalkon

İhraççı Pergamon
Yıl 150 BC - 100 BC
Tür Standard circulation coin
Değer Dichalkon (1⁄24)
Para birimi Drachm
Bileşim Bronze
Ağırlık 4.13 g
Çap 18.5 mm
Kalınlık
Şekil Round (irregular)
Teknik Hammered
Yönlendirme Variable alignment ↺
Gravürcü(ler)
Dolaşımda olduğu yıl
Referans(lar) SNG France#1900-4, GCV#3963, BMC Greek#191
Ön yüz açıklaması Helmeted head of Athena facing right. A star on the helmet.
Ön yüz yazısı
Ön yüz lejandı
Arka yüz açıklaması Owl standing facing on palm frond.
Arka yüz yazısı Greek
Arka yüz lejandı AΘH NAΣ NIKΗΦΟΡΟΥ
(Translation: Athena Nikiphoros)
Kenar
Darphane
Basma adedi ND (150 BC - 100 BC) - -
Numisquare Kimliği 6187700480
Ek bilgiler

Historical Context: This Dichalkon was struck in Pergamon between 150 and 100 BC, a pivotal era following the bequest of the Attalid Kingdom to Rome by Attalus III in 133 BC. While Pergamon transitioned into the Roman province of Asia, it maintained significant civic autonomy and economic vitality. This bronze coinage facilitated daily commerce, reflecting the city's enduring cultural identity and its status as a prominent Hellenistic center, even under increasing Roman influence. Such issues underscore the continuity of local administration and economic life during a period of profound political transformation.

Artistry: The coin embodies the late Hellenistic artistic tradition prevalent in Pergamon, renowned for its dynamic sculptural school. While no specific engraver is attributed, the style likely reflects the skilled local artisans who continued the rich Pergamene aesthetic. Typical designs for this period often feature the head of a deity, such as Athena, patroness of the city, on the obverse, rendered with expressive detail and classical proportions. The reverse would commonly display a civic emblem or cult object, maintaining a connection to Pergamon's rich religious and cultural heritage.

Technical/Grading: Struck on a bronze flan weighing 4.13 grams and measuring 18.5 millimeters, this Dichalkon exhibits typical characteristics for its type. High-points of the design, such as the hair and facial features of the obverse deity or prominent elements of the reverse symbol, are often the first areas to show wear. Strike quality can vary, with some examples displaying off-center strikes or areas of flatness due to uneven die pressure, common for bronze issues of the period. A well-preserved specimen would show strong detail, good centering, and minimal flan imperfections.

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