Denier - Guy De Faucigny / Humbert de Grammont

Emitent Bishopric of Geneva
Rok 1078-1135
Typ Standard circulation coin
Nominał 1 Denier
Waluta Denier (1019-1135)
Skład Silver
Waga 1.16 g
Średnica
Grubość
Kształt Round (irregular)
Technika Hammered
Orientacja Variable alignment ↺
Rytownik(zy)
W obiegu do
Źródło(a) HMZ 1#1-291
Opis awersu Cross pattée with pellets in cantons.
Pismo awersu Latin
Legenda awersu +GENEVA CIVITAS
Opis rewersu Head of the bishop facing left.
Pismo rewersu Latin
Legenda rewersu +SCS PETRVS
Krawędź
Mennica
Nakład ND (1078-1135) - -
ID Numisquare 8148098580
Dodatkowe informacje

Historical Context: This silver denier was issued during a pivotal period for the Bishopric of Geneva, spanning the episcopates of Guy de Faucigny (1078-1119) and Humbert de Grammont (1120-1135). At this time, the Bishops wielded significant temporal power, effectively governing Geneva as a prince-bishopric within the Holy Roman Empire. The right to mint coinage, a regalian privilege, underscored their sovereignty and economic authority, reflecting the complex interplay between ecclesiastical jurisdiction and feudal power structures in the region.

Artistry: The design of this denier exemplifies the early medieval numismatic aesthetic, characterized by a stylized, almost abstract quality rather than classical realism. While specific engravers remain anonymous, the coin's fabrication reflects the work of local mint artisans. Typical iconography for these issues includes a prominent cross on one side, often with pellets or letters in the angles, juxtaposed with a monogram or a highly simplified bust representing the bishop on the reverse. The legends are usually abbreviated, identifying the issuing authority and mint city.

Technical/Grading: Weighing 1.16 grams, this small silver denier typically exhibits the manufacturing characteristics of early medieval coinage. High-points for wear or strike assessment would be the central elements of the cross and any central monogram or bust. Collectors should anticipate irregular flans, varying degrees of off-centerness, and often a somewhat weak strike due to the manual hammering process. Full, even strikes are rare, and the overall fabric often shows minor planchet imperfections inherent to the period's production methods.

×