カタログ
| 発行体 | Bishopric of Geneva |
|---|---|
| 年号 | 1078-1135 |
| 種類 | Standard circulation coin |
| 額面 | 1 Denier |
| 通貨 | Denier (1019-1135) |
| 材質 | Silver |
| 重量 | 1.16 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | HMZ 1#1-291 |
| 表面の説明 | Cross pattée with pellets in cantons. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | +GENEVA CIVITAS |
| 裏面の説明 | Head of the bishop facing left. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | +SCS PETRVS |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (1078-1135) - - |
| Numisquare ID | 8148098580 |
| 追加情報 |
Historical Context: This silver denier was issued during a pivotal period for the Bishopric of Geneva, spanning the episcopates of Guy de Faucigny (1078-1119) and Humbert de Grammont (1120-1135). At this time, the Bishops wielded significant temporal power, effectively governing Geneva as a prince-bishopric within the Holy Roman Empire. The right to mint coinage, a regalian privilege, underscored their sovereignty and economic authority, reflecting the complex interplay between ecclesiastical jurisdiction and feudal power structures in the region.
Artistry: The design of this denier exemplifies the early medieval numismatic aesthetic, characterized by a stylized, almost abstract quality rather than classical realism. While specific engravers remain anonymous, the coin's fabrication reflects the work of local mint artisans. Typical iconography for these issues includes a prominent cross on one side, often with pellets or letters in the angles, juxtaposed with a monogram or a highly simplified bust representing the bishop on the reverse. The legends are usually abbreviated, identifying the issuing authority and mint city.
Technical/Grading: Weighing 1.16 grams, this small silver denier typically exhibits the manufacturing characteristics of early medieval coinage. High-points for wear or strike assessment would be the central elements of the cross and any central monogram or bust. Collectors should anticipate irregular flans, varying degrees of off-centerness, and often a somewhat weak strike due to the manual hammering process. Full, even strikes are rare, and the overall fabric often shows minor planchet imperfections inherent to the period's production methods.