Denier - Guy De Faucigny / Humbert de Grammont

発行体 Bishopric of Geneva
年号 1078-1135
種類 Standard circulation coin
額面 1 Denier
通貨 Denier (1019-1135)
材質 Silver
重量 1.16 g
直径
厚さ
形状 Round (irregular)
製造技法 Hammered
向き Variable alignment ↺
彫刻師
流通終了年
参考文献 HMZ 1#1-291
表面の説明 Cross pattée with pellets in cantons.
表面の文字体系 Latin
表面の銘文 +GENEVA CIVITAS
裏面の説明 Head of the bishop facing left.
裏面の文字体系 Latin
裏面の銘文 +SCS PETRVS
鋳造所
鋳造数 ND (1078-1135) - -
Numisquare ID 8148098580
追加情報

Historical Context: This silver denier was issued during a pivotal period for the Bishopric of Geneva, spanning the episcopates of Guy de Faucigny (1078-1119) and Humbert de Grammont (1120-1135). At this time, the Bishops wielded significant temporal power, effectively governing Geneva as a prince-bishopric within the Holy Roman Empire. The right to mint coinage, a regalian privilege, underscored their sovereignty and economic authority, reflecting the complex interplay between ecclesiastical jurisdiction and feudal power structures in the region.

Artistry: The design of this denier exemplifies the early medieval numismatic aesthetic, characterized by a stylized, almost abstract quality rather than classical realism. While specific engravers remain anonymous, the coin's fabrication reflects the work of local mint artisans. Typical iconography for these issues includes a prominent cross on one side, often with pellets or letters in the angles, juxtaposed with a monogram or a highly simplified bust representing the bishop on the reverse. The legends are usually abbreviated, identifying the issuing authority and mint city.

Technical/Grading: Weighing 1.16 grams, this small silver denier typically exhibits the manufacturing characteristics of early medieval coinage. High-points for wear or strike assessment would be the central elements of the cross and any central monogram or bust. Collectors should anticipate irregular flans, varying degrees of off-centerness, and often a somewhat weak strike due to the manual hammering process. Full, even strikes are rare, and the overall fabric often shows minor planchet imperfections inherent to the period's production methods.

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