کاتالوگ
| صادرکننده | Bishopric of Geneva |
|---|---|
| سال | 1078-1135 |
| نوع | Standard circulation coin |
| ارزش | 1 Denier |
| واحد پول | Denier (1019-1135) |
| ترکیب | Silver |
| وزن | 1.16 g |
| قطر | |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | Variable alignment ↺ |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | HMZ 1#1-291 |
| توضیحات روی سکه | Cross pattée with pellets in cantons. |
|---|---|
| خط روی سکه | Latin |
| نوشتههای روی سکه | +GENEVA CIVITAS |
| توضیحات پشت سکه | Head of the bishop facing left. |
| خط پشت سکه | Latin |
| نوشتههای پشت سکه | +SCS PETRVS |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (1078-1135) - - |
| شناسه Numisquare | 8148098580 |
| اطلاعات تکمیلی |
Historical Context: This silver denier was issued during a pivotal period for the Bishopric of Geneva, spanning the episcopates of Guy de Faucigny (1078-1119) and Humbert de Grammont (1120-1135). At this time, the Bishops wielded significant temporal power, effectively governing Geneva as a prince-bishopric within the Holy Roman Empire. The right to mint coinage, a regalian privilege, underscored their sovereignty and economic authority, reflecting the complex interplay between ecclesiastical jurisdiction and feudal power structures in the region.
Artistry: The design of this denier exemplifies the early medieval numismatic aesthetic, characterized by a stylized, almost abstract quality rather than classical realism. While specific engravers remain anonymous, the coin's fabrication reflects the work of local mint artisans. Typical iconography for these issues includes a prominent cross on one side, often with pellets or letters in the angles, juxtaposed with a monogram or a highly simplified bust representing the bishop on the reverse. The legends are usually abbreviated, identifying the issuing authority and mint city.
Technical/Grading: Weighing 1.16 grams, this small silver denier typically exhibits the manufacturing characteristics of early medieval coinage. High-points for wear or strike assessment would be the central elements of the cross and any central monogram or bust. Collectors should anticipate irregular flans, varying degrees of off-centerness, and often a somewhat weak strike due to the manual hammering process. Full, even strikes are rare, and the overall fabric often shows minor planchet imperfections inherent to the period's production methods.