Catalogue
| Émetteur | Bishopric of Geneva |
|---|---|
| Année | 1078-1135 |
| Type | Standard circulation coin |
| Valeur | 1 Denier |
| Devise | Denier (1019-1135) |
| Composition | Silver |
| Poids | 1.16 g |
| Diamètre | |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | HMZ 1#1-291 |
| Description de l’avers | Cross pattée with pellets in cantons. |
|---|---|
| Écriture de l’avers | Latin |
| Légende de l’avers | +GENEVA CIVITAS |
| Description du revers | Head of the bishop facing left. |
| Écriture du revers | Latin |
| Légende du revers | +SCS PETRVS |
| Tranche | |
| Atelier | |
| Tirage |
ND (1078-1135) - - |
| ID Numisquare | 8148098580 |
| Informations supplémentaires |
Historical Context: This silver denier was issued during a pivotal period for the Bishopric of Geneva, spanning the episcopates of Guy de Faucigny (1078-1119) and Humbert de Grammont (1120-1135). At this time, the Bishops wielded significant temporal power, effectively governing Geneva as a prince-bishopric within the Holy Roman Empire. The right to mint coinage, a regalian privilege, underscored their sovereignty and economic authority, reflecting the complex interplay between ecclesiastical jurisdiction and feudal power structures in the region.
Artistry: The design of this denier exemplifies the early medieval numismatic aesthetic, characterized by a stylized, almost abstract quality rather than classical realism. While specific engravers remain anonymous, the coin's fabrication reflects the work of local mint artisans. Typical iconography for these issues includes a prominent cross on one side, often with pellets or letters in the angles, juxtaposed with a monogram or a highly simplified bust representing the bishop on the reverse. The legends are usually abbreviated, identifying the issuing authority and mint city.
Technical/Grading: Weighing 1.16 grams, this small silver denier typically exhibits the manufacturing characteristics of early medieval coinage. High-points for wear or strike assessment would be the central elements of the cross and any central monogram or bust. Collectors should anticipate irregular flans, varying degrees of off-centerness, and often a somewhat weak strike due to the manual hammering process. Full, even strikes are rare, and the overall fabric often shows minor planchet imperfections inherent to the period's production methods.