5 Santimi

発行体 Latvia
年号 1922-1923
種類 Standard circulation coin
額面 5 Santimi (0.05)
通貨 Old lats (1922-1940)
材質 Bronze
重量 3 g
直径 22 mm
厚さ 1.22 mm
形状 Round
製造技法 Milled
向き Medal alignment ↑↑
彫刻師 Rihards Zariņš
流通終了年 25 March 1941
参考文献 KM#3, Schön#3
表面の説明 National arms above ribbon.
表面の文字体系 Latin
表面の銘文 LATVIJA HUGUENIN
裏面の説明 Value and date.
裏面の文字体系 Latin
裏面の銘文 5 Santimi 1922 R. ZARRIŅŠ
Smooth
鋳造所 Hug.
Huguenin, Le Locle, Switzerland(1868-2022)
鋳造数 1922 Hug. - - 15 000 000
1923 Hug. - 3.5 g; pattern with deeper relief - 2
Numisquare ID 2682069840
追加情報

Historical Context: The 1922-1923 5 Santimi coin represents a pivotal era for the newly independent Republic of Latvia. Following its declaration of independence in 1918 and subsequent struggles, Latvia established its national currency system in 1922, replacing the interim Latvian rublis with the lats and santims. This coinage, issued under the First Republic, served as a crucial symbol of sovereignty and economic stability during the interwar period, reflecting the nation's efforts to solidify its identity and statehood on the international stage.

Artistry: The design of the 5 Santimi is attributed to the renowned Latvian artist Rihards Zariņš, a leading figure in the nation's early numismatic art. The coin embodies a blend of National Romanticism and Art Deco influences, characteristic of the era for newly formed states. The obverse features the stylized rising sun with three stars, a powerful emblem representing Latvia's three historical regions united. The reverse prominently displays the denomination "5 SANTIMI" encircled by a wreath of oak leaves, a traditional symbol of strength and endurance, underscoring national pride and resilience.

Technical/Grading: Struck in bronze with a weight of 3 grams and a diameter of 22 millimeters, the 5 Santimi typically exhibits a generally strong strike for a circulation issue. Key high-points susceptible to wear include the central rays of the sun and the tips of the three stars on the obverse. On the reverse, the finer details of the oak leaves and the serifs of the "SANTIMI" lettering are the first areas to show flattening. Collectors should seek examples with sharp definition in these areas, as well as a clean planchet free from significant flaws, to denote higher grades.

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