Katalog
| İhraççı | Comoro Islands |
|---|---|
| Yıl | 1891 |
| Tür | Coin pattern |
| Değer | 5 Francs |
| Para birimi | Franc (1889-1945) |
| Bileşim | Tin |
| Ağırlık | |
| Çap | 39 mm |
| Kalınlık | |
| Şekil | Round |
| Teknik | Milled |
| Yönlendirme | |
| Gravürcü(ler) | Henri-Auguste Patey |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Lec#8 |
| Ön yüz açıklaması | Weapons within Arabic legend |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | سيد علي بن سيد عمر سلطان انجزيجة حفظه الله تعالى ١٣٠٨ |
| Arka yüz açıklaması | Blank. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
1308 (1891) - ١٣٠٨ - |
| Numisquare Kimliği | 1588947170 |
| Ek bilgiler |
Historical Context:The 1891 5 Francs Obverse Trial signifies a key moment in the monetary history of the Comoro Islands, then a French protectorate. French influence was paramount, superseding local rulers like Sultan Said Ali bin Said Omar in coinage matters. This trial piece indicates the early introduction of a standardized, franc-denominated currency, replacing diverse foreign and local issues. Its creation underscores the French administration's intent to assert monetary sovereignty and integrate the protectorate into the French economic system.
Artistry:While the specific engraver remains unrecorded, the design likely originated from a master engraver at the Monnaie de Paris, consistent with French colonial coinage. The stylistic school aligns with academic classicism prevalent in late 19th-century French numismatic art, characterized by formal composition and dignified execution. As an obverse trial, the design would have focused on the primary motif—potentially a portrait or an allegorical representation of France—presented with bold, clear execution suitable for a major denomination.
Technical/Grading:Struck in tin, a soft metal, this 39mm trial piece tested the obverse die's design and relief. Tin's malleability typically yields an exceptionally sharp, full strike, capturing minute details. High-points, depending on the specific design, would generally be well-defined. Condition is often assessed by surface preservation, as tin is susceptible to marks, though the strike itself is usually robust. Cataloged as Lec#8, this piece confirms its recognized numismatic status.