Katalog
| Emittent | Comoro Islands |
|---|---|
| Jahr | 1891 |
| Typ | Coin pattern |
| Nennwert | 5 Francs |
| Währung | Franc (1889-1945) |
| Material | Tin |
| Gewicht | |
| Durchmesser | 39 mm |
| Dicke | |
| Form | Round |
| Prägetechnik | Milled |
| Ausrichtung | |
| Stempelschneider | Henri-Auguste Patey |
| Im Umlauf bis | |
| Referenz(en) | Lec#8 |
| Aversbeschreibung | Weapons within Arabic legend |
|---|---|
| Aversschrift | |
| Averslegende | سيد علي بن سيد عمر سلطان انجزيجة حفظه الله تعالى ١٣٠٨ |
| Reversbeschreibung | Blank. |
| Reversschrift | |
| Reverslegende | |
| Rand | |
| Prägestätte | |
| Auflage |
1308 (1891) - ١٣٠٨ - |
| Numisquare-ID | 1588947170 |
| Zusätzliche Informationen |
Historical Context:The 1891 5 Francs Obverse Trial signifies a key moment in the monetary history of the Comoro Islands, then a French protectorate. French influence was paramount, superseding local rulers like Sultan Said Ali bin Said Omar in coinage matters. This trial piece indicates the early introduction of a standardized, franc-denominated currency, replacing diverse foreign and local issues. Its creation underscores the French administration's intent to assert monetary sovereignty and integrate the protectorate into the French economic system.
Artistry:While the specific engraver remains unrecorded, the design likely originated from a master engraver at the Monnaie de Paris, consistent with French colonial coinage. The stylistic school aligns with academic classicism prevalent in late 19th-century French numismatic art, characterized by formal composition and dignified execution. As an obverse trial, the design would have focused on the primary motif—potentially a portrait or an allegorical representation of France—presented with bold, clear execution suitable for a major denomination.
Technical/Grading:Struck in tin, a soft metal, this 39mm trial piece tested the obverse die's design and relief. Tin's malleability typically yields an exceptionally sharp, full strike, capturing minute details. High-points, depending on the specific design, would generally be well-defined. Condition is often assessed by surface preservation, as tin is susceptible to marks, though the strike itself is usually robust. Cataloged as Lec#8, this piece confirms its recognized numismatic status.