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| Эмитент | Comoro Islands |
|---|---|
| Год | 1891 |
| Тип | Coin pattern |
| Номинал | 5 Francs |
| Валюта | Franc (1889-1945) |
| Состав | Tin |
| Вес | |
| Диаметр | 39 mm |
| Толщина | |
| Форма | Round |
| Техника | Milled |
| Ориентация | |
| Гравёр(ы) | Henri-Auguste Patey |
| В обращении до | |
| Каталожные номера | Lec#8 |
| Описание аверса | Weapons within Arabic legend |
|---|---|
| Письменность аверса | |
| Надписи аверса | سيد علي بن سيد عمر سلطان انجزيجة حفظه الله تعالى ١٣٠٨ |
| Описание реверса | Blank. |
| Письменность реверса | |
| Надписи реверса | |
| Гурт | |
| Монетный двор | |
| Тираж |
1308 (1891) - ١٣٠٨ - |
| ID Numisquare | 1588947170 |
| Дополнительная информация |
Historical Context:The 1891 5 Francs Obverse Trial signifies a key moment in the monetary history of the Comoro Islands, then a French protectorate. French influence was paramount, superseding local rulers like Sultan Said Ali bin Said Omar in coinage matters. This trial piece indicates the early introduction of a standardized, franc-denominated currency, replacing diverse foreign and local issues. Its creation underscores the French administration's intent to assert monetary sovereignty and integrate the protectorate into the French economic system.
Artistry:While the specific engraver remains unrecorded, the design likely originated from a master engraver at the Monnaie de Paris, consistent with French colonial coinage. The stylistic school aligns with academic classicism prevalent in late 19th-century French numismatic art, characterized by formal composition and dignified execution. As an obverse trial, the design would have focused on the primary motif—potentially a portrait or an allegorical representation of France—presented with bold, clear execution suitable for a major denomination.
Technical/Grading:Struck in tin, a soft metal, this 39mm trial piece tested the obverse die's design and relief. Tin's malleability typically yields an exceptionally sharp, full strike, capturing minute details. High-points, depending on the specific design, would generally be well-defined. Condition is often assessed by surface preservation, as tin is susceptible to marks, though the strike itself is usually robust. Cataloged as Lec#8, this piece confirms its recognized numismatic status.