3 Pence

Emitent Ghana
Rok 1958
Typ Standard circulation coin
Nominał 3 Pence (1⁄80)
Waluta Pound (1958-1965)
Skład Copper-nickel (75% Copper, 25% Nickel)
Waga 3.24 g
Średnica 19.5 mm
Grubość
Kształt Scalloped (with 12 notches)
Technika Milled
Orientacja Medal alignment ↑↑
Rytownik(zy) Obverse: P.K.K. Quaidoo
Reverse: Paul Vincze
W obiegu do
Źródło(a) KM#3
Opis awersu Five - pointed star
Pismo awersu Latin
Legenda awersu GHANA 19 58 THREE PENCE
Opis rewersu Dr. Kwame Nkrumah bust facing right
Pismo rewersu Latin
Legenda rewersu CIVITATIS GHANIENSIS CONDITOR P.V. KWAME NKRUMAH
(Translation: Kwame Nkrumah, the Founder of the state of Ghana)
Krawędź Plain
Mennica
Nakład 1958 - - 25 200 000
1958 - Proof - 20 000
ID Numisquare 1407340940
Dodatkowe informacje

Historical Context: The 1958 Ghana 3 Pence coin represents a pivotal moment, issued just one year after Ghana gained independence from British rule in March 1957. As a Commonwealth realm, Queen Elizabeth II remained Head of State, her effigy gracing the obverse. This coinage series marked Ghana's nascent sovereignty and economic self-determination, transitioning from the shared British West African currency to its own distinct monetary system, symbolizing a new era for the nation.

Artistry: The obverse features Mary Gillick's iconic 'Young Head' portrait of Queen Elizabeth II, a design characteristic of early Commonwealth coinage for its youthful and regal simplicity. The reverse, specific to Ghana, displays a stylized palm tree, a potent national symbol representing prosperity, flanked by the denomination '3 PENCE' and the issuing country and year. This stylistic approach blends post-war realism for the monarch with clear, symbolic nationalism on the reverse, reflecting the newly independent nation's identity.

Technical/Grading: Struck in copper-nickel, this coin generally exhibits a robust strike. Key high-points for wear on the obverse include the Queen's hair above her ear and the highest points of the laurel wreath. On the reverse, the intricate details of the palm tree fronds and the texture of its trunk are particularly susceptible to abrasion. Collectors should seek examples with sharp definition in these areas, along with a strong, even strike across the fields, indicative of a well-preserved piece.

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