3 Pence

صادرکننده Ghana
سال 1958
نوع Standard circulation coin
ارزش 3 Pence (1⁄80)
واحد پول Pound (1958-1965)
ترکیب Copper-nickel (75% Copper, 25% Nickel)
وزن 3.24 g
قطر 19.5 mm
ضخامت
شکل Scalloped (with 12 notches)
تکنیک Milled
جهت Medal alignment ↑↑
حکاک(ها) Obverse: P.K.K. Quaidoo
Reverse: Paul Vincze
در گردش تا
مرجع(ها) KM#3
توضیحات روی سکه Five - pointed star
خط روی سکه Latin
نوشته‌های روی سکه GHANA 19 58 THREE PENCE
توضیحات پشت سکه Dr. Kwame Nkrumah bust facing right
خط پشت سکه Latin
نوشته‌های پشت سکه CIVITATIS GHANIENSIS CONDITOR P.V. KWAME NKRUMAH
(Translation: Kwame Nkrumah, the Founder of the state of Ghana)
لبه Plain
ضرابخانه
تیراژ ضرب 1958 - - 25 200 000
1958 - Proof - 20 000
شناسه Numisquare 1407340940
اطلاعات تکمیلی

Historical Context: The 1958 Ghana 3 Pence coin represents a pivotal moment, issued just one year after Ghana gained independence from British rule in March 1957. As a Commonwealth realm, Queen Elizabeth II remained Head of State, her effigy gracing the obverse. This coinage series marked Ghana's nascent sovereignty and economic self-determination, transitioning from the shared British West African currency to its own distinct monetary system, symbolizing a new era for the nation.

Artistry: The obverse features Mary Gillick's iconic 'Young Head' portrait of Queen Elizabeth II, a design characteristic of early Commonwealth coinage for its youthful and regal simplicity. The reverse, specific to Ghana, displays a stylized palm tree, a potent national symbol representing prosperity, flanked by the denomination '3 PENCE' and the issuing country and year. This stylistic approach blends post-war realism for the monarch with clear, symbolic nationalism on the reverse, reflecting the newly independent nation's identity.

Technical/Grading: Struck in copper-nickel, this coin generally exhibits a robust strike. Key high-points for wear on the obverse include the Queen's hair above her ear and the highest points of the laurel wreath. On the reverse, the intricate details of the palm tree fronds and the texture of its trunk are particularly susceptible to abrasion. Collectors should seek examples with sharp definition in these areas, along with a strong, even strike across the fields, indicative of a well-preserved piece.

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