3 Pence

Emitent Ghana
Rok 1958
Typ Standard circulation coin
Hodnota 3 Pence (1⁄80)
Měna Pound (1958-1965)
Složení Copper-nickel (75% Copper, 25% Nickel)
Hmotnost 3.24 g
Průměr 19.5 mm
Tloušťka
Tvar Scalloped (with 12 notches)
Technika Milled
Orientace Medal alignment ↑↑
Rytci Obverse: P.K.K. Quaidoo
Reverse: Paul Vincze
V oběhu do
Reference KM#3
Popis líce Five - pointed star
Písmo líce Latin
Opis líce GHANA 19 58 THREE PENCE
Popis rubu Dr. Kwame Nkrumah bust facing right
Písmo rubu Latin
Opis rubu CIVITATIS GHANIENSIS CONDITOR P.V. KWAME NKRUMAH
(Translation: Kwame Nkrumah, the Founder of the state of Ghana)
Hrana Plain
Mincovna
Náklad 1958 - - 25 200 000
1958 - Proof - 20 000
ID Numisquare 1407340940
Další informace

Historical Context: The 1958 Ghana 3 Pence coin represents a pivotal moment, issued just one year after Ghana gained independence from British rule in March 1957. As a Commonwealth realm, Queen Elizabeth II remained Head of State, her effigy gracing the obverse. This coinage series marked Ghana's nascent sovereignty and economic self-determination, transitioning from the shared British West African currency to its own distinct monetary system, symbolizing a new era for the nation.

Artistry: The obverse features Mary Gillick's iconic 'Young Head' portrait of Queen Elizabeth II, a design characteristic of early Commonwealth coinage for its youthful and regal simplicity. The reverse, specific to Ghana, displays a stylized palm tree, a potent national symbol representing prosperity, flanked by the denomination '3 PENCE' and the issuing country and year. This stylistic approach blends post-war realism for the monarch with clear, symbolic nationalism on the reverse, reflecting the newly independent nation's identity.

Technical/Grading: Struck in copper-nickel, this coin generally exhibits a robust strike. Key high-points for wear on the obverse include the Queen's hair above her ear and the highest points of the laurel wreath. On the reverse, the intricate details of the palm tree fronds and the texture of its trunk are particularly susceptible to abrasion. Collectors should seek examples with sharp definition in these areas, along with a strong, even strike across the fields, indicative of a well-preserved piece.

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