カタログ
| 発行体 | Ghana |
|---|---|
| 年号 | 1958 |
| 種類 | Standard circulation coin |
| 額面 | 3 Pence (1⁄80) |
| 通貨 | Pound (1958-1965) |
| 材質 | Copper-nickel (75% Copper, 25% Nickel) |
| 重量 | 3.24 g |
| 直径 | 19.5 mm |
| 厚さ | |
| 形状 | Scalloped (with 12 notches) |
| 製造技法 | Milled |
| 向き | Medal alignment ↑↑ |
| 彫刻師 | Obverse: P.K.K. Quaidoo Reverse: Paul Vincze |
| 流通終了年 | |
| 参考文献 | KM#3 |
| 表面の説明 | Five - pointed star |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | GHANA 19 58 THREE PENCE |
| 裏面の説明 | Dr. Kwame Nkrumah bust facing right |
| 裏面の文字体系 | Latin |
| 裏面の銘文 |
CIVITATIS GHANIENSIS CONDITOR P.V. KWAME NKRUMAH (Translation: Kwame Nkrumah, the Founder of the state of Ghana) |
| 縁 | Plain |
| 鋳造所 | |
| 鋳造数 |
1958 - - 25 200 000 1958 - Proof - 20 000 |
| Numisquare ID | 1407340940 |
| 追加情報 |
Historical Context: The 1958 Ghana 3 Pence coin represents a pivotal moment, issued just one year after Ghana gained independence from British rule in March 1957. As a Commonwealth realm, Queen Elizabeth II remained Head of State, her effigy gracing the obverse. This coinage series marked Ghana's nascent sovereignty and economic self-determination, transitioning from the shared British West African currency to its own distinct monetary system, symbolizing a new era for the nation.
Artistry: The obverse features Mary Gillick's iconic 'Young Head' portrait of Queen Elizabeth II, a design characteristic of early Commonwealth coinage for its youthful and regal simplicity. The reverse, specific to Ghana, displays a stylized palm tree, a potent national symbol representing prosperity, flanked by the denomination '3 PENCE' and the issuing country and year. This stylistic approach blends post-war realism for the monarch with clear, symbolic nationalism on the reverse, reflecting the newly independent nation's identity.
Technical/Grading: Struck in copper-nickel, this coin generally exhibits a robust strike. Key high-points for wear on the obverse include the Queen's hair above her ear and the highest points of the laurel wreath. On the reverse, the intricate details of the palm tree fronds and the texture of its trunk are particularly susceptible to abrasion. Collectors should seek examples with sharp definition in these areas, along with a strong, even strike across the fields, indicative of a well-preserved piece.