2 Macutas - José I

Emissor Angola
Ano 1762-1770
Tipo Standard circulation coin
Valor 2 Macutas (100)
Moeda Real (18th century-1914)
Composição Silver (.917)
Peso 3 g
Diâmetro 21 mm
Espessura
Formato Round
Técnica Milled
Orientação
Gravador(es)
Em circulação até
Referência(s) KM#13, Gomes#Jo.09.0x
Descrição do anverso Gomes 2013: Jo 09.01 to 09.02 Crowned Arms/Lettering around
Escrita do anverso Latin
Legenda do anverso JOSEPHUS·I·D·G·REX·P·ET·D·GUINEÆ·
Descrição do reverso Rosettes and denomination within beaded circle
Escrita do reverso Latin
Legenda do reverso *.1762.* .AFRICA·PORTUGUEZA. MACUTAS 2
(Translation: Portuguese Africa)
Bordo Milled
Casa da moeda
Tiragem 1762 - Jo.09.01 -
1763 - Jo.09.02 - 20 000
1770 - Not listed at Alberto Gomes -
ID Numisquare 2118322880
Informações adicionais

Historical Context: This 2 Macutas coin was issued for Angola during the reign of José I (1750-1777), a period profoundly shaped by the Marquis of Pombal’s reforms. Between 1762 and 1770, Portugal sought to consolidate its colonial power and economic interests in Angola, a vital hub for the transatlantic slave trade and resource extraction. This denomination, specific to the Angolan economy, underscores the colony’s growing commercial importance and the necessity for a regulated currency to facilitate trade within the Portuguese colonial empire.

Artistry: While the engraver remains anonymous, the coin’s design reflects the late Baroque and early Rococo aesthetics prevalent in Portuguese coinage of the era, moving towards Neoclassicism. The obverse typically features a laureate and draped bust of King José I, facing right, with his royal titles. The reverse displays the crowned Portuguese royal coat of arms, often with the denomination “2 MACUTAS” and the date, sometimes accompanied by a mintmark. The compact 21mm flan necessitated a concise yet regal portrayal of the monarch and national emblem.

Technical/Grading: Struck in .917 silver, this 2 Macutas presents specific high-points for grading. On the obverse, these include the high relief of the laurel wreath, the king’s hair, and the tip of his nose. The reverse’s highest points are typically the crown’s intricate details and the upper elements of the royal shield. Colonial issues often exhibit variable strike quality, with common weaknesses in the central portrait or the finer details of the shield. Planchet imperfections and uneven strikes are not uncommon, impacting overall sharpness.

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