2 Macutas - José I

Émetteur Angola
Année 1762-1770
Type Standard circulation coin
Valeur 2 Macutas (100)
Devise Real (18th century-1914)
Composition Silver (.917)
Poids 3 g
Diamètre 21 mm
Épaisseur
Forme Round
Technique Milled
Orientation
Graveur(s)
En circulation jusqu’à
Référence(s) KM#13, Gomes#Jo.09.0x
Description de l’avers Gomes 2013: Jo 09.01 to 09.02 Crowned Arms/Lettering around
Écriture de l’avers Latin
Légende de l’avers JOSEPHUS·I·D·G·REX·P·ET·D·GUINEÆ·
Description du revers Rosettes and denomination within beaded circle
Écriture du revers Latin
Légende du revers *.1762.* .AFRICA·PORTUGUEZA. MACUTAS 2
(Translation: Portuguese Africa)
Tranche Milled
Atelier
Tirage 1762 - Jo.09.01 -
1763 - Jo.09.02 - 20 000
1770 - Not listed at Alberto Gomes -
ID Numisquare 2118322880
Informations supplémentaires

Historical Context: This 2 Macutas coin was issued for Angola during the reign of José I (1750-1777), a period profoundly shaped by the Marquis of Pombal’s reforms. Between 1762 and 1770, Portugal sought to consolidate its colonial power and economic interests in Angola, a vital hub for the transatlantic slave trade and resource extraction. This denomination, specific to the Angolan economy, underscores the colony’s growing commercial importance and the necessity for a regulated currency to facilitate trade within the Portuguese colonial empire.

Artistry: While the engraver remains anonymous, the coin’s design reflects the late Baroque and early Rococo aesthetics prevalent in Portuguese coinage of the era, moving towards Neoclassicism. The obverse typically features a laureate and draped bust of King José I, facing right, with his royal titles. The reverse displays the crowned Portuguese royal coat of arms, often with the denomination “2 MACUTAS” and the date, sometimes accompanied by a mintmark. The compact 21mm flan necessitated a concise yet regal portrayal of the monarch and national emblem.

Technical/Grading: Struck in .917 silver, this 2 Macutas presents specific high-points for grading. On the obverse, these include the high relief of the laurel wreath, the king’s hair, and the tip of his nose. The reverse’s highest points are typically the crown’s intricate details and the upper elements of the royal shield. Colonial issues often exhibit variable strike quality, with common weaknesses in the central portrait or the finer details of the shield. Planchet imperfections and uneven strikes are not uncommon, impacting overall sharpness.

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