Æ15

Emisor Epidauros
Año 250 BC - 200 BC
Tipo Standard circulation coin
Valor
Moneda Drachm
Composición Bronze
Peso 1.83 g
Diámetro 15.0 mm
Grosor
Forma Round (irregular)
Técnica Hammered
Orientación
Grabador(es)
En circulación hasta
Referencia(s) BCD Peloponnesos#1249
Descripción del anverso Laureate head of Asklepios facing right
Escritura del anverso
Leyenda del anverso
Descripción del reverso Coiled serpent facing right
Escritura del reverso
Leyenda del reverso
Canto
Casa de moneda
Tirada ND (250 BC - 200 BC) - -
ID de Numisquare 5459099300
Información adicional

Historical Context: This Æ15 coin from Epidauros dates to the Hellenistic period, specifically 250 BC - 200 BC. Epidauros, a prominent Peloponnesian city-state, was celebrated throughout the ancient world for its sanctuary of Asclepius, the god of medicine. During this era, Epidauros maintained its cultural and religious significance, attracting pilgrims and patients, which underpinned its local economy. Its civic authorities oversaw minting, reflecting continued autonomy amidst larger Hellenistic powers.

Artistry: The engraver remains anonymous, typical for municipal bronze issues of the Hellenistic period. Stylistically, it aligns with the Hellenistic Greek tradition, blending classical idealism with emerging realism. Common designs for Epidauros bronzes feature the laureate head of Asclepius on the obverse, often depicted with a dignified yet benevolent expression. The reverse typically displays symbols associated with the cult, such as the snake-entwined staff of Asclepius or a coiled serpent, sometimes accompanied by the ethnic ΕΠΙ or a monogram.

Technical/Grading: Struck on a small, lightweight bronze flan (15.0 mm, 1.83 gg), this Æ15 was likely a fractional denomination for daily transactions. High-points for wear, assuming an Asclepius head, would be the hair over the forehead, nose, and chin. On the reverse, the serpent's head and highest coils of the staff would show earliest abrasion. Technical strike quality can vary; factors like centering, flan preparation, and die wear are crucial for assessing preservation. Poor centering or uneven strike are common given ancient methods.

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