Danh mục
| Đơn vị phát hành | Laiesken |
|---|---|
| Năm | 150 BC - 100 BC |
| Loại | Standard circulation coin |
| Mệnh giá | 1/4 Unit |
| Tiền tệ | Unit (second half of the 2nd century BC) |
| Chất liệu | Bronze |
| Trọng lượng | 3.1 g |
| Đường kính | 15 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | Variable alignment ↺ |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | ACIP#1333, CNH#192 |
| Mô tả mặt trước | Laureate male head facing right with lemnisci (ribbons) |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Forepart of Pegasus facing right |
| Chữ viết mặt sau | Iberian (Levantine) |
| Chữ khắc mặt sau | LAIES`KeN |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (150 BC - 100 BC) - - |
| ID Numisquare | 3972255590 |
| Thông tin bổ sung |
Historical Context: Issued by the ancient Iberian city of Laiesken (150-100 BC), this 1/4 Unit bronze coin marks a pivotal era in the Iberian Peninsula. Indigenous cities, though influenced by the Roman Republic, maintained autonomy, including minting rights. Laiesken, a prominent Celtiberian settlement, utilized these fractional units to facilitate local commerce and assert economic identity amidst growing Roman presence, preceding its eventual integration.
Artistry: The artistic execution aligns with typical Celtiberian numismatic traditions. The anonymous engraver's work emphasizes a distinctive local aesthetic. The obverse typically features a robust male head, often bearded, facing right, likely representing a local deity or hero. The reverse commonly depicts a horseman, a potent symbol of Iberian cavalry, often accompanied by the city legend "LAIESKEN" in Iberian script. These designs, though simplified on small flans, showcase the issuer's enduring cultural identity.
Technical/Grading: Struck on a small, irregular bronze flan (15 mm, 3.1 grams), this denomination often exhibits characteristics typical of ancient bronze coinage. High-points for wear and strike quality include the hair and facial features on the obverse, and the rider's head and horse's musculature on the reverse. Due to period striking techniques, examples frequently present with off-centering, uneven strikes, and minor flan imperfections. A premium example would display a well-centered strike, full details, and a relatively smooth surface, free from significant porosity.