Каталог
| Эмитент | Laiesken |
|---|---|
| Год | 150 BC - 100 BC |
| Тип | Standard circulation coin |
| Номинал | 1/4 Unit |
| Валюта | Unit (second half of the 2nd century BC) |
| Состав | Bronze |
| Вес | 3.1 g |
| Диаметр | 15 mm |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | Variable alignment ↺ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | ACIP#1333, CNH#192 |
| Описание аверса | Laureate male head facing right with lemnisci (ribbons) |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Forepart of Pegasus facing right |
| Письменность реверса | Iberian (Levantine) |
| Надписи реверса | LAIES`KeN |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (150 BC - 100 BC) - - |
| ID Numisquare | 3972255590 |
| Дополнительная информация |
Historical Context: Issued by the ancient Iberian city of Laiesken (150-100 BC), this 1/4 Unit bronze coin marks a pivotal era in the Iberian Peninsula. Indigenous cities, though influenced by the Roman Republic, maintained autonomy, including minting rights. Laiesken, a prominent Celtiberian settlement, utilized these fractional units to facilitate local commerce and assert economic identity amidst growing Roman presence, preceding its eventual integration.
Artistry: The artistic execution aligns with typical Celtiberian numismatic traditions. The anonymous engraver's work emphasizes a distinctive local aesthetic. The obverse typically features a robust male head, often bearded, facing right, likely representing a local deity or hero. The reverse commonly depicts a horseman, a potent symbol of Iberian cavalry, often accompanied by the city legend "LAIESKEN" in Iberian script. These designs, though simplified on small flans, showcase the issuer's enduring cultural identity.
Technical/Grading: Struck on a small, irregular bronze flan (15 mm, 3.1 grams), this denomination often exhibits characteristics typical of ancient bronze coinage. High-points for wear and strike quality include the hair and facial features on the obverse, and the rider's head and horse's musculature on the reverse. Due to period striking techniques, examples frequently present with off-centering, uneven strikes, and minor flan imperfections. A premium example would display a well-centered strike, full details, and a relatively smooth surface, free from significant porosity.