100 Francs CFA Essai

Đơn vị phát hành Central African Republic
Năm 1971
Loại Coin pattern
Mệnh giá 100 Francs CFA (100 FCFA)
Tiền tệ CFA franc (Central bank of Equatorial African States and Cameroon, 1961-1973)
Chất liệu Gold
Trọng lượng 13.56 g
Đường kính 25.5 mm
Độ dày
Hình dạng Round
Kỹ thuật Milled
Hướng Coin alignment ↑↓
Nghệ nhân khắc Lucien Georges Bazor
Lưu hành đến
Tài liệu tham khảo KM#E3
Mô tả mặt trước Antelopes (3 Giant Eland)
Chữ viết mặt trước Latin
Chữ khắc mặt trước REPUBLIQUE CENTRAFRICAINE G.B.L.BAZOR CR
(Translation: Central African republic G.B.L.Bazor CR)
Mô tả mặt sau Denomination within circle, date below.
Chữ viết mặt sau Latin
Chữ khắc mặt sau BANQUE CENTRALE 100 FRANCS ESSAI 1971
(Translation: Central Bank 100 Francs Essai 1971)
Cạnh Reeded
Xưởng đúc Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Số lượng đúc 1971 - Extremely rare - 4
ID Numisquare 1723834620
Thông tin bổ sung

Historical Context: This 1971 100 Francs CFA Essai gold coin originates from the Central African Republic during Jean-Bédel Bokassa’s presidency, beginning in 1966. Predating his imperial declaration, this Essai (pattern) issue, within the CFA Francs monetary union, signifies an exploration of high-value prestige coinage. Such non-circulating issues projected national sovereignty and economic aspiration for a nation facing developmental challenges.

Artistry: While the specific engraver is undocumented, the stylistic school aligns with the Monnaie de Paris, common for former French colonies. Designs often feature national allegories or symbols on the obverse, such as an African woman representing liberty or a prominent national emblem. The reverse typically displays the denomination, year, and local fauna or flora, like an antelope head, symbolizing regional wealth. This execution reflects a classical yet modern approach, emphasizing clarity and symbolic representation.

Technical/Grading: Struck in gold (13.56 gg, 25.5 mm), this Essai coin exhibits exceptional technical qualities. As a pattern strike, it received meticulous attention, often involving multiple strikes for full design details and a proof-like finish. High-points for wear or strike weakness typically include the highest relief areas of depicted animal features (e.g., horns, mane), facial features of allegorical figures, and intricate national emblem details. A well-preserved example presents sharp, crisp details and potentially mirrored fields.

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