100 Francs CFA Essai

Émetteur Central African Republic
Année 1971
Type Coin pattern
Valeur 100 Francs CFA (100 FCFA)
Devise CFA franc (Central bank of Equatorial African States and Cameroon, 1961-1973)
Composition Gold
Poids 13.56 g
Diamètre 25.5 mm
Épaisseur
Forme Round
Technique Milled
Orientation Coin alignment ↑↓
Graveur(s) Lucien Georges Bazor
En circulation jusqu’à
Référence(s) KM#E3
Description de l’avers Antelopes (3 Giant Eland)
Écriture de l’avers Latin
Légende de l’avers REPUBLIQUE CENTRAFRICAINE G.B.L.BAZOR CR
(Translation: Central African republic G.B.L.Bazor CR)
Description du revers Denomination within circle, date below.
Écriture du revers Latin
Légende du revers BANQUE CENTRALE 100 FRANCS ESSAI 1971
(Translation: Central Bank 100 Francs Essai 1971)
Tranche Reeded
Atelier Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Tirage 1971 - Extremely rare - 4
ID Numisquare 1723834620
Informations supplémentaires

Historical Context: This 1971 100 Francs CFA Essai gold coin originates from the Central African Republic during Jean-Bédel Bokassa’s presidency, beginning in 1966. Predating his imperial declaration, this Essai (pattern) issue, within the CFA Francs monetary union, signifies an exploration of high-value prestige coinage. Such non-circulating issues projected national sovereignty and economic aspiration for a nation facing developmental challenges.

Artistry: While the specific engraver is undocumented, the stylistic school aligns with the Monnaie de Paris, common for former French colonies. Designs often feature national allegories or symbols on the obverse, such as an African woman representing liberty or a prominent national emblem. The reverse typically displays the denomination, year, and local fauna or flora, like an antelope head, symbolizing regional wealth. This execution reflects a classical yet modern approach, emphasizing clarity and symbolic representation.

Technical/Grading: Struck in gold (13.56 gg, 25.5 mm), this Essai coin exhibits exceptional technical qualities. As a pattern strike, it received meticulous attention, often involving multiple strikes for full design details and a proof-like finish. High-points for wear or strike weakness typically include the highest relief areas of depicted animal features (e.g., horns, mane), facial features of allegorical figures, and intricate national emblem details. A well-preserved example presents sharp, crisp details and potentially mirrored fields.

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