100 Francs CFA Essai

Issuer Central African Republic
Year 1971
Type Coin pattern
Value 100 Francs CFA (100 FCFA)
Currency CFA franc (Central bank of Equatorial African States and Cameroon, 1961-1973)
Composition Gold
Weight 13.56 g
Diameter 25.5 mm
Thickness
Shape Round
Technique Milled
Orientation Coin alignment ↑↓
Engraver(s) Lucien Georges Bazor
In circulation to
Reference(s) KM#E3
Obverse description Antelopes (3 Giant Eland)
Obverse script Latin
Obverse lettering REPUBLIQUE CENTRAFRICAINE G.B.L.BAZOR CR
(Translation: Central African republic G.B.L.Bazor CR)
Reverse description Denomination within circle, date below.
Reverse script Latin
Reverse lettering BANQUE CENTRALE 100 FRANCS ESSAI 1971
(Translation: Central Bank 100 Francs Essai 1971)
Edge Reeded
Mint Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Mintage 1971 - Extremely rare - 4
Numisquare ID 1723834620
Additional information

Historical Context: This 1971 100 Francs CFA Essai gold coin originates from the Central African Republic during Jean-Bédel Bokassa’s presidency, beginning in 1966. Predating his imperial declaration, this Essai (pattern) issue, within the CFA Francs monetary union, signifies an exploration of high-value prestige coinage. Such non-circulating issues projected national sovereignty and economic aspiration for a nation facing developmental challenges.

Artistry: While the specific engraver is undocumented, the stylistic school aligns with the Monnaie de Paris, common for former French colonies. Designs often feature national allegories or symbols on the obverse, such as an African woman representing liberty or a prominent national emblem. The reverse typically displays the denomination, year, and local fauna or flora, like an antelope head, symbolizing regional wealth. This execution reflects a classical yet modern approach, emphasizing clarity and symbolic representation.

Technical/Grading: Struck in gold (13.56 gg, 25.5 mm), this Essai coin exhibits exceptional technical qualities. As a pattern strike, it received meticulous attention, often involving multiple strikes for full design details and a proof-like finish. High-points for wear or strike weakness typically include the highest relief areas of depicted animal features (e.g., horns, mane), facial features of allegorical figures, and intricate national emblem details. A well-preserved example presents sharp, crisp details and potentially mirrored fields.

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