100 Francs CFA Essai

صادرکننده Central African Republic
سال 1971
نوع Coin pattern
ارزش 100 Francs CFA (100 FCFA)
واحد پول CFA franc (Central bank of Equatorial African States and Cameroon, 1961-1973)
ترکیب Gold
وزن 13.56 g
قطر 25.5 mm
ضخامت
شکل Round
تکنیک Milled
جهت Coin alignment ↑↓
حکاک(ها) Lucien Georges Bazor
در گردش تا
مرجع(ها) KM#E3
توضیحات روی سکه Antelopes (3 Giant Eland)
خط روی سکه Latin
نوشته‌های روی سکه REPUBLIQUE CENTRAFRICAINE G.B.L.BAZOR CR
(Translation: Central African republic G.B.L.Bazor CR)
توضیحات پشت سکه Denomination within circle, date below.
خط پشت سکه Latin
نوشته‌های پشت سکه BANQUE CENTRALE 100 FRANCS ESSAI 1971
(Translation: Central Bank 100 Francs Essai 1971)
لبه Reeded
ضرابخانه Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
تیراژ ضرب 1971 - Extremely rare - 4
شناسه Numisquare 1723834620
اطلاعات تکمیلی

Historical Context: This 1971 100 Francs CFA Essai gold coin originates from the Central African Republic during Jean-Bédel Bokassa’s presidency, beginning in 1966. Predating his imperial declaration, this Essai (pattern) issue, within the CFA Francs monetary union, signifies an exploration of high-value prestige coinage. Such non-circulating issues projected national sovereignty and economic aspiration for a nation facing developmental challenges.

Artistry: While the specific engraver is undocumented, the stylistic school aligns with the Monnaie de Paris, common for former French colonies. Designs often feature national allegories or symbols on the obverse, such as an African woman representing liberty or a prominent national emblem. The reverse typically displays the denomination, year, and local fauna or flora, like an antelope head, symbolizing regional wealth. This execution reflects a classical yet modern approach, emphasizing clarity and symbolic representation.

Technical/Grading: Struck in gold (13.56 gg, 25.5 mm), this Essai coin exhibits exceptional technical qualities. As a pattern strike, it received meticulous attention, often involving multiple strikes for full design details and a proof-like finish. High-points for wear or strike weakness typically include the highest relief areas of depicted animal features (e.g., horns, mane), facial features of allegorical figures, and intricate national emblem details. A well-preserved example presents sharp, crisp details and potentially mirrored fields.

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