See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

10 Goldmarks

Issuer Stadtsparkasse Bielefeld
Year 1923
Type Log in to see details
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Log in to see details
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Gra#112a
Obverse description Printed in dark ink on orange-yellow velvet fabric, this notgeld note carries a central satirical vignette of two caricatured figures — representing France and Germany — in a heated confrontation, set against a field of political slogans referencing war debts and the French occupation of the Ruhr. The denomination "ZEHN GOLDMARK" is inscribed in bold letterpress across the upper centre, with the issuing authority "STADTSPARKASSE BIELEFELD" in large capitals below the vignette. The date "15 DEZEMBER 1923" and a printed signature of the Stadtrat appear at lower right, with extensive marginal text running along all four borders.
Obverse lettering Log in to see details
Reverse description The reverse presents the plain, unprinted orange-yellow velvet fabric surface with no text, vignettes, or ornamentation of any kind, revealing the woven textile substrate characteristic of Bielefeld's celebrated cloth notgeld issues.
Reverse lettering Log in to see details
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Log in to see details
Variants Log in to see details
Comments

Bielefeld's municipal savings bank issued a series of emergency money printed on unconventional materials during the 1923 hyperinflation — silk, linen, and velvet among them. These were not novelties for collectors but functional notgeld, accepted locally when paper currency lost value faster than it could be printed. The velvet examples are the most fragile of the series and frequently show fiber separation along fold lines, which is a known preservation problem specific to this material rather than a sign of heavy use.

Gundlach, a Bielefeld printer, handled the full series locally. The choice of textile substrates was partly practical — paper supply was itself under strain in 1923.

YOU MAY ALSO LIKE