کاتالوگ
| صادرکننده | French West Africa |
|---|---|
| سال | 1956 |
| نوع | Coin pattern |
| ارزش | 10 Francs (10 FCFA) |
| واحد پول | CFA franc (1944-1958) |
| ترکیب | Aluminium bronze |
| وزن | 4 g |
| قطر | 23.5 mm |
| ضخامت | 1.6 mm |
| شکل | Round |
| تکنیک | Milled |
| جهت | Coin alignment ↑↓ |
| حکاک(ها) | Lucien Georges Bazor |
| در گردش تا | |
| مرجع(ها) | KM#E4 |
| توضیحات روی سکه | Marianne`s head, facing left, wearing a Phrygian cap. Divided date. NOTE: Privy mark above 19 of date G.B.L. Bazor signature on the collar. |
|---|---|
| خط روی سکه | Latin |
| نوشتههای روی سکه |
19 56 REPUBLIQUE FRANÇAISE G.B.L. BAZOR (Translation: French Republic) |
| توضیحات پشت سکه | Leptoceros gazelle head facing, divides denomination, various crops. |
| خط پشت سکه | Latin |
| نوشتههای پشت سکه |
ESSAI 10 Fs AFRIQUE OCCIDENTALE FRANÇAISE (Translation: Trial French West Africa) |
| لبه | Plain. |
| ضرابخانه |
Monnaie de Paris, Paris (and Pessac starting 1973), France (864-date) |
| تیراژ ضرب |
1956 - - 2 300 |
| شناسه Numisquare | 8924633960 |
| اطلاعات تکمیلی |
Historical Context: The 1956 10 Francs Essai for French West Africa emerges from the Fourth French Republic's waning years, amidst global decolonization. This pattern coin signifies a late attempt by France to modernize its vast colonial federation's currency. Struck shortly before widespread independence, the Essai reflects France's efforts to maintain economic ties and control during profound political shifts. Its trial status indicates a monetary policy shift ultimately unimplemented, making it a tangible artifact from French colonial administration's final chapter.
Artistry: The design of this Essai coin adheres to mid-20th century French numismatic traditions, featuring allegorical and naturalistic motifs. While KM#E4's specific engraver is often unattributed, the style reflects academic classicism prevalent in French coinage. The obverse commonly presents a dignified bust of Marianne, personifying the French Republic. The reverse displays "10 FRANCS" and "1956," frequently accompanied by indigenous flora, such as a groundnut plant, symbolizing regional agricultural wealth. The "Essai" mark clearly denotes its experimental nature.