10 Francs Essai

Issuer French West Africa
Year 1956
Type Coin pattern
Value 10 Francs (10 FCFA)
Currency CFA franc (1944-1958)
Composition Aluminium bronze
Weight 4 g
Diameter 23.5 mm
Thickness 1.6 mm
Shape Round
Technique Milled
Orientation Coin alignment ↑↓
Engraver(s) Lucien Georges Bazor
In circulation to
Reference(s) KM#E4
Obverse description Marianne`s head, facing left, wearing a Phrygian cap. Divided date. NOTE: Privy mark above 19 of date G.B.L. Bazor signature on the collar.
Obverse script Latin
Obverse lettering 19 56 REPUBLIQUE FRANÇAISE G.B.L. BAZOR
(Translation: French Republic)
Reverse description Leptoceros gazelle head facing, divides denomination, various crops.
Reverse script Latin
Reverse lettering ESSAI 10 Fs AFRIQUE OCCIDENTALE FRANÇAISE
(Translation: Trial French West Africa)
Edge Plain.
Mint Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Mintage 1956 - - 2 300
Numisquare ID 8924633960
Additional information

Historical Context: The 1956 10 Francs Essai for French West Africa emerges from the Fourth French Republic's waning years, amidst global decolonization. This pattern coin signifies a late attempt by France to modernize its vast colonial federation's currency. Struck shortly before widespread independence, the Essai reflects France's efforts to maintain economic ties and control during profound political shifts. Its trial status indicates a monetary policy shift ultimately unimplemented, making it a tangible artifact from French colonial administration's final chapter.

Artistry: The design of this Essai coin adheres to mid-20th century French numismatic traditions, featuring allegorical and naturalistic motifs. While KM#E4's specific engraver is often unattributed, the style reflects academic classicism prevalent in French coinage. The obverse commonly presents a dignified bust of Marianne, personifying the French Republic. The reverse displays "10 FRANCS" and "1956," frequently accompanied by indigenous flora, such as a groundnut plant, symbolizing regional agricultural wealth. The "Essai" mark clearly denotes its experimental nature.

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