1 Rupee - George VI

Emissor Mauritius
Ano 1938
Tipo Standard circulation coin
Valor 1 Rupee (1 MUR)
Moeda Rupee (1835-date)
Composição Silver (.916)
Peso 11.66 g
Diâmetro 30.0 mm
Espessura
Formato Round
Técnica Milled
Orientação Medal alignment ↑↑
Gravador(es) Obverse: Percy Metcalfe
Reverse: George Kruger Gray
Em circulação até
Referência(s) KM#19, Schön#24
Descrição do anverso Crowned head left.
Escrita do anverso Latin
Legenda do anverso GEORGE VI KING EMPEROR PM
Descrição do reverso National arms divide date above value.
Escrita do reverso Latin
Legenda do reverso ·⁕·MAURITIUS·⁕· 19 38 K G ·⁕·ONE RUPEE·⁕·
Bordo Reeded
Casa da moeda
Tiragem 1938 - - 200 000
1938 - Proof -
ID Numisquare 5717438800
Informações adicionais

Historical Context: The 1938 One Rupee from Mauritius, bearing King George VI's effigy, represents a crucial numismatic moment. Struck shortly after his 1936 ascension and just prior to World War II, it reflects a brief period of imperial stability. For Mauritius, a vital colony, this high-purity silver issue was among the last before wartime demands and post-war economic changes necessitated a shift to base metals. It thus symbolizes the fading era of the silver standard in British colonial coinage.

Artistry: The obverse displays Thomas Humphrey Paget's uncrowned effigy of King George VI facing left. Paget's work, characteristic of neo-classical realism, imbues the monarch with a dignified yet accessible likeness, typical of British imperial coinage. The reverse features a standard colonial design: "ONE RUPEE" and "MAURITIUS" centrally within a beaded circle, encircled by the "1938" date and two laurel sprigs. This combination of a distinguished portrait and clear, functional elements defined Royal Mint colonial issues.

Technical/Grading: Struck in .916 silver, weighing 11.66 grams and 30.0 mm, this Rupee generally shows a strong strike. Key high-points for wear on the obverse include George VI's hair above the ear, the ear, and uniform details. On the reverse, examine the central lettering and laurel sprigs. Wear first flattens these areas. Well-preserved examples retain significant cartwheel luster. The silver composition facilitated excellent detail, making uncirculated specimens particularly appealing for their crispness.

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