1 Rupee - George VI

Émetteur Mauritius
Année 1938
Type Standard circulation coin
Valeur 1 Rupee (1 MUR)
Devise Rupee (1835-date)
Composition Silver (.916)
Poids 11.66 g
Diamètre 30.0 mm
Épaisseur
Forme Round
Technique Milled
Orientation Medal alignment ↑↑
Graveur(s) Obverse: Percy Metcalfe
Reverse: George Kruger Gray
En circulation jusqu’à
Référence(s) KM#19, Schön#24
Description de l’avers Crowned head left.
Écriture de l’avers Latin
Légende de l’avers GEORGE VI KING EMPEROR PM
Description du revers National arms divide date above value.
Écriture du revers Latin
Légende du revers ·⁕·MAURITIUS·⁕· 19 38 K G ·⁕·ONE RUPEE·⁕·
Tranche Reeded
Atelier
Tirage 1938 - - 200 000
1938 - Proof -
ID Numisquare 5717438800
Informations supplémentaires

Historical Context: The 1938 One Rupee from Mauritius, bearing King George VI's effigy, represents a crucial numismatic moment. Struck shortly after his 1936 ascension and just prior to World War II, it reflects a brief period of imperial stability. For Mauritius, a vital colony, this high-purity silver issue was among the last before wartime demands and post-war economic changes necessitated a shift to base metals. It thus symbolizes the fading era of the silver standard in British colonial coinage.

Artistry: The obverse displays Thomas Humphrey Paget's uncrowned effigy of King George VI facing left. Paget's work, characteristic of neo-classical realism, imbues the monarch with a dignified yet accessible likeness, typical of British imperial coinage. The reverse features a standard colonial design: "ONE RUPEE" and "MAURITIUS" centrally within a beaded circle, encircled by the "1938" date and two laurel sprigs. This combination of a distinguished portrait and clear, functional elements defined Royal Mint colonial issues.

Technical/Grading: Struck in .916 silver, weighing 11.66 grams and 30.0 mm, this Rupee generally shows a strong strike. Key high-points for wear on the obverse include George VI's hair above the ear, the ear, and uniform details. On the reverse, examine the central lettering and laurel sprigs. Wear first flattens these areas. Well-preserved examples retain significant cartwheel luster. The silver composition facilitated excellent detail, making uncirculated specimens particularly appealing for their crispness.

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