1 Rupee - George VI

Emittente Mauritius
Anno 1938
Tipo Standard circulation coin
Valore 1 Rupee (1 MUR)
Valuta Rupee (1835-date)
Composizione Silver (.916)
Peso 11.66 g
Diametro 30.0 mm
Spessore
Forma Round
Tecnica Milled
Orientamento Medal alignment ↑↑
Incisore/i Obverse: Percy Metcalfe
Reverse: George Kruger Gray
In circolazione fino al
Riferimento/i KM#19, Schön#24
Descrizione del dritto Crowned head left.
Scrittura del dritto Latin
Legenda del dritto GEORGE VI KING EMPEROR PM
Descrizione del rovescio National arms divide date above value.
Scrittura del rovescio Latin
Legenda del rovescio ·⁕·MAURITIUS·⁕· 19 38 K G ·⁕·ONE RUPEE·⁕·
Bordo Reeded
Zecca
Tiratura 1938 - - 200 000
1938 - Proof -
ID Numisquare 5717438800
Informazioni aggiuntive

Historical Context: The 1938 One Rupee from Mauritius, bearing King George VI's effigy, represents a crucial numismatic moment. Struck shortly after his 1936 ascension and just prior to World War II, it reflects a brief period of imperial stability. For Mauritius, a vital colony, this high-purity silver issue was among the last before wartime demands and post-war economic changes necessitated a shift to base metals. It thus symbolizes the fading era of the silver standard in British colonial coinage.

Artistry: The obverse displays Thomas Humphrey Paget's uncrowned effigy of King George VI facing left. Paget's work, characteristic of neo-classical realism, imbues the monarch with a dignified yet accessible likeness, typical of British imperial coinage. The reverse features a standard colonial design: "ONE RUPEE" and "MAURITIUS" centrally within a beaded circle, encircled by the "1938" date and two laurel sprigs. This combination of a distinguished portrait and clear, functional elements defined Royal Mint colonial issues.

Technical/Grading: Struck in .916 silver, weighing 11.66 grams and 30.0 mm, this Rupee generally shows a strong strike. Key high-points for wear on the obverse include George VI's hair above the ear, the ear, and uniform details. On the reverse, examine the central lettering and laurel sprigs. Wear first flattens these areas. Well-preserved examples retain significant cartwheel luster. The silver composition facilitated excellent detail, making uncirculated specimens particularly appealing for their crispness.

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