カタログ
| 発行体 | Antivari, City of |
|---|---|
| 年号 | 1300-1400 |
| 種類 | Standard circulation coin |
| 額面 | 1 Follaro = 1⁄30 Grosso |
| 通貨 | Grosso |
| 材質 | Copper |
| 重量 | 1.69 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Dobrinic#1.2.3.3 |
| 表面の説明 | Standing saint George, killing dragon with lance |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | J · S · G · - · CAŊTIVA-R |
| 裏面の説明 | St. George with nimbus on horseback to the left, killing dragon with lance |
| 裏面の文字体系 | |
| 裏面の銘文 | SG |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (1300-1400) - - |
| Numisquare ID | 4484016880 |
| 追加情報 |
Historical Context: This 1 Follaro coin hails from the City of Antivari (modern Bar, Montenegro), a vital Adriatic port during the medieval period. Minted between 1300 and 1400, this era saw Antivari navigating complex geopolitical currents, often under Serbian or Venetian suzerainty, yet retaining significant municipal autonomy. Issuing its own copper coinage, like this follaro, underscores Antivari's economic vitality as a trading hub and independent administration, reflecting a robust local economy needing small currency for daily commerce.
Artistry: The engraver of this follaro remains anonymous, typical for municipal issues. Stylistically, the coin likely adheres to a local medieval tradition, influenced by Byzantine or Venetian practices. While specific design details are not provided, follari of this era commonly featured simplified religious motifs, such as a cross or patron saint, or a civic emblem. The design prioritized legibility and functionality over intricate artistic detail, characteristic of utilitarian copper currency for widespread local circulation.
Technical/Grading: Weighing 1.69 grams, this copper follaro exemplifies characteristics of medieval small-denomination coinage. High-points, such as central motifs or legends, are frequently weakly struck or exhibit inconsistent detail due to crude striking techniques and irregular planchets. Technical strike qualities typically include off-center strikes, incomplete legends, and variable relief. Flans were often manually prepared, leading to irregular shapes and surface imperfections. A well-centered strike with clear, full legends and motifs would be considered exceptional for this type.