カタログ
登録が必要な理由は?ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します!
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Stylized horse prancing left in the characteristic Celtic abstract manner, its body reduced to sinuous curvilinear forms with exaggerated musculature. The horse's head is rendered with a large circular eye and flowing mane indicated by pellet clusters, while the legs are schematized into bold curved lines. A large circular annulet or ring motif appears above the horse in the upper field, a common celticized design element. Additional pellets and abstract forms fill the field around the horse, consistent with Eastern European Celtic coinage of the period. The overall composition reflects advanced stylistic abstraction from the original Macedonian or Thasian drachm prototype. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The attribution "Uncertain Eastern European Celts" reflects a genuine scholarly impasse — these lightweight drachms circulated across a zone stretching from the middle Danube basin into the Carpathian region, produced by tribal groups whose political identities remain unresolved in the archaeological record. They derive ultimately from Macedonian prototypes, Philip II's coinage specifically, filtered through generations of Celtic imitation until the originals became almost unrecognizable. Göbl's Ostkeltischer Typenatlas remains the essential reference, though his typological boundaries have been contested repeatedly since publication.