目录
| 发行方 | Uncertain Germanic tribes |
|---|---|
| 年份 | 175-275 |
| 类型 | Standard circulation coin |
| 面值 | |
| 货币 | Aureus (circa 150-325) |
| 材质 | Bronze |
| 重量 | 7.63 g |
| 直径 | 23 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 |
| 正面描述 | Laureate bust facing right surrounded by legend. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 |
DTT ANINVSAV[...] PRXV (Translation: [Antoninus Augustus Pius Pater Patriae Tribunicia Potestas] [Antoninus Pius, August, Father of the Nation, Tribunician Power]) |
| 背面描述 | Salus standing while facing left feeding serpent arising from altar to the left and holding scepter to the right, all surrounded by legend. |
| 背面文字 | Latin |
| 背面铭文 |
SALVS - M[...] S - C (Translation: [Salus Augustus Consul Quartum - Senatus Consulto] [Health of the August, Consul for the Fourth Time - By Decree of the Senate]) |
| 边缘 | Smooth. |
| 铸币厂 | |
| 铸造量 |
ND (175-275) - Imitating Rome mint - |
| Numisquare 编号 | 1180448870 |
| 附加信息 |
Historical Context: This fascinating bronze piece, though imitating the coinage of the Roman Emperor Antoninus Pius (138-161 CE), was issued much later by uncertain Germanic tribes, likely between 175-275 CE. During this turbulent period, Roman influence extended through trade and conflict, but official Roman coinage often became scarce in frontier regions. These imitations filled a crucial economic void, serving as a functional currency while also reflecting the prestige and widespread recognition of Roman imperial iconography, even if crudely rendered. Their proliferation speaks to the ongoing interaction and cultural exchange between the Roman Empire and its northern neighbors, particularly during the escalating Marcomannic Wars and the subsequent Crisis of the Third Century.
Artistry: The artistry of this imitation is characterized by its departure from the refined classicism of official Roman mints. The engraver, an unknown local artisan, worked within a "barbaric imitation" stylistic school, prioritizing legibility and recognition over detailed fidelity. The design attempts to replicate the laureate, draped bust of Antoninus Pius, a common motif on his sestertii and dupondii. However, the features are simplified, proportions are often distorted, and the intricate details of the emperor's hair and laurel wreath are reduced to abstract patterns. This aesthetic, while lacking Roman precision, possesses a unique folk-art charm, reflecting the local interpretation of a powerful foreign symbol.
Technical/Grading: This bronze piece, weighing 7.63 grams and measuring 23 mm, exhibits typical technical qualities of an unofficial, tribal issue. The flan is often irregular and somewhat porous, indicative of less sophisticated casting or striking methods compared to imperial Roman mints. The strike itself is likely weak or uneven, resulting in a loss of detail, particularly on the high points of the portrait such as the nose, chin, and the intended elements of the laurel wreath. The overall impression would be one of a crude but functional coin, with varying degrees of clarity depending on the individual strike and the quality of the local die production.