Unknown Æ - Imitating Antoninus Pius, 138-161

Émetteur Uncertain Germanic tribes
Année 175-275
Type Standard circulation coin
Valeur
Devise Aureus (circa 150-325)
Composition Bronze
Poids 7.63 g
Diamètre 23 mm
Épaisseur
Forme Round (irregular)
Technique Hammered
Orientation
Graveur(s)
En circulation jusqu’à
Référence(s)
Description de l’avers Laureate bust facing right surrounded by legend.
Écriture de l’avers Latin
Légende de l’avers DTT ANINVSAV[...] PRXV
(Translation: [Antoninus Augustus Pius Pater Patriae Tribunicia Potestas] [Antoninus Pius, August, Father of the Nation, Tribunician Power])
Description du revers Salus standing while facing left feeding serpent arising from altar to the left and holding scepter to the right, all surrounded by legend.
Écriture du revers Latin
Légende du revers SALVS - M[...] S - C
(Translation: [Salus Augustus Consul Quartum - Senatus Consulto] [Health of the August, Consul for the Fourth Time - By Decree of the Senate])
Tranche Smooth.
Atelier
Tirage ND (175-275) - Imitating Rome mint -
ID Numisquare 1180448870
Informations supplémentaires

Historical Context: This fascinating bronze piece, though imitating the coinage of the Roman Emperor Antoninus Pius (138-161 CE), was issued much later by uncertain Germanic tribes, likely between 175-275 CE. During this turbulent period, Roman influence extended through trade and conflict, but official Roman coinage often became scarce in frontier regions. These imitations filled a crucial economic void, serving as a functional currency while also reflecting the prestige and widespread recognition of Roman imperial iconography, even if crudely rendered. Their proliferation speaks to the ongoing interaction and cultural exchange between the Roman Empire and its northern neighbors, particularly during the escalating Marcomannic Wars and the subsequent Crisis of the Third Century.

Artistry: The artistry of this imitation is characterized by its departure from the refined classicism of official Roman mints. The engraver, an unknown local artisan, worked within a "barbaric imitation" stylistic school, prioritizing legibility and recognition over detailed fidelity. The design attempts to replicate the laureate, draped bust of Antoninus Pius, a common motif on his sestertii and dupondii. However, the features are simplified, proportions are often distorted, and the intricate details of the emperor's hair and laurel wreath are reduced to abstract patterns. This aesthetic, while lacking Roman precision, possesses a unique folk-art charm, reflecting the local interpretation of a powerful foreign symbol.

Technical/Grading: This bronze piece, weighing 7.63 grams and measuring 23 mm, exhibits typical technical qualities of an unofficial, tribal issue. The flan is often irregular and somewhat porous, indicative of less sophisticated casting or striking methods compared to imperial Roman mints. The strike itself is likely weak or uneven, resulting in a loss of detail, particularly on the high points of the portrait such as the nose, chin, and the intended elements of the laurel wreath. The overall impression would be one of a crude but functional coin, with varying degrees of clarity depending on the individual strike and the quality of the local die production.

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