カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Bare male head facing right, rendered in the Ibero-Celtic artistic tradition, adorned with a beaded or pearl necklace around the neck. A dolphin symbol is depicted to the left of the effigy, serving as a mintmark or control symbol. The portrait is executed in low relief with broad, stylized facial features characteristic of Celtiberian coinage of the early second century BC. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | Iberian (Celtiberian) |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Ikalkusken remains one of the least-understood mints of the Celtiberian interior — its precise location is still debated, with candidates proposed across the upper Ebro region. These bronzes circulated during the period of intensifying Roman military presence following the Second Punic War, when indigenous Iberian and Celtiberian communities were minting their own coinage partly in response to the economic demands of supplying and provisioning troops — both Roman and local. The ACIP references reflect ongoing scholarly reassignment as epigraphy and find-site data slowly narrow the attribution.