Katalog
| İhraççı | Carthage |
|---|---|
| Yıl | 201 BC - 175 BC |
| Tür | Standard circulation coin |
| Değer | Trishekel (3) |
| Para birimi | Shekel |
| Bileşim | Bronze |
| Ağırlık | 18 g |
| Çap | 28 mm |
| Kalınlık | 3 mm |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Medal alignment ↑↑ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | GCV#6535, SNG Copenhagen#411, MAA#105g |
| Ön yüz açıklaması | Laureate bust facing left. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Horse trotting right with Punic legend below. |
| Arka yüz yazısı | |
| Arka yüz lejandı | ALEF |
| Kenar | Smooth. |
| Darphane | |
| Basma adedi |
ND (201 BC - 175 BC) - With dot below horse - ND (201 BC - 175 BC) - Without dot below horse - |
| Numisquare Kimliği | 8463582140 |
| Ek bilgiler |
Historical Context: This Æ Trishekel dates to a pivotal post-Second Punic War era (201-175 BC) when Carthage, stripped of its empire by Rome, focused on internal economic recovery. Though no single monarch ruled, the suffete system presided over a period of significant agricultural and commercial resurgence, often attributed to the reforms initiated by Hannibal Barca before his exile. This coinage signifies Carthage's resilience, transitioning from a maritime power to a robust regional economy, despite operating under the increasing shadow of Roman hegemony.
Artistry: The engraver remains anonymous, typical for Punic issues. This coin belongs to the Punic-Hellenistic stylistic school, blending indigenous Carthaginian iconography with Greek artistic conventions. Obverse designs commonly feature the wreathed head of Tanit, often assimilated with Persephone, rendered with a degree of Hellenistic naturalism. The reverse typically depicts a standing or prancing horse, a powerful Carthaginian symbol representing their renowned cavalry and agricultural prosperity, executed with dynamic realism.
Technical/Grading: Struck on a substantial 28mm bronze flan weighing 18 grams, this denomination is notable for its size. High-points for the obverse typically include the wreath and facial features, while the horse's mane, musculature, and hooves define the reverse's highest relief. Technical strike qualities can vary; bronze issues often exhibit some degree of off-centering or flan irregularity. Well-struck examples will show clear definition in the deity's coiffure and the horse's anatomy, with full legends if present.