Katalog
| Emittent | Carthage |
|---|---|
| Jahr | 201 BC - 175 BC |
| Typ | Standard circulation coin |
| Nennwert | Trishekel (3) |
| Währung | Shekel |
| Material | Bronze |
| Gewicht | 18 g |
| Durchmesser | 28 mm |
| Dicke | 3 mm |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | Medal alignment ↑↑ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | GCV#6535, SNG Copenhagen#411, MAA#105g |
| Aversbeschreibung | Laureate bust facing left. |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Horse trotting right with Punic legend below. |
| Reversschrift | |
| Reverslegende | ALEF |
| Rand | Smooth. |
| Prägestätte | |
| Auflage |
ND (201 BC - 175 BC) - With dot below horse - ND (201 BC - 175 BC) - Without dot below horse - |
| Numisquare-ID | 8463582140 |
| Zusätzliche Informationen |
Historical Context: This Æ Trishekel dates to a pivotal post-Second Punic War era (201-175 BC) when Carthage, stripped of its empire by Rome, focused on internal economic recovery. Though no single monarch ruled, the suffete system presided over a period of significant agricultural and commercial resurgence, often attributed to the reforms initiated by Hannibal Barca before his exile. This coinage signifies Carthage's resilience, transitioning from a maritime power to a robust regional economy, despite operating under the increasing shadow of Roman hegemony.
Artistry: The engraver remains anonymous, typical for Punic issues. This coin belongs to the Punic-Hellenistic stylistic school, blending indigenous Carthaginian iconography with Greek artistic conventions. Obverse designs commonly feature the wreathed head of Tanit, often assimilated with Persephone, rendered with a degree of Hellenistic naturalism. The reverse typically depicts a standing or prancing horse, a powerful Carthaginian symbol representing their renowned cavalry and agricultural prosperity, executed with dynamic realism.
Technical/Grading: Struck on a substantial 28mm bronze flan weighing 18 grams, this denomination is notable for its size. High-points for the obverse typically include the wreath and facial features, while the horse's mane, musculature, and hooves define the reverse's highest relief. Technical strike qualities can vary; bronze issues often exhibit some degree of off-centering or flan irregularity. Well-struck examples will show clear definition in the deity's coiffure and the horse's anatomy, with full legends if present.