Catalog
| Issuer | Carthage |
|---|---|
| Year | 201 BC - 175 BC |
| Type | Standard circulation coin |
| Value | Trishekel (3) |
| Currency | Shekel |
| Composition | Bronze |
| Weight | 18 g |
| Diameter | 28 mm |
| Thickness | 3 mm |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Medal alignment ↑↑ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | GCV#6535, SNG Copenhagen#411, MAA#105g |
| Obverse description | Laureate bust facing left. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Horse trotting right with Punic legend below. |
| Reverse script | |
| Reverse lettering | ALEF |
| Edge | Smooth. |
| Mint | |
| Mintage |
ND (201 BC - 175 BC) - With dot below horse - ND (201 BC - 175 BC) - Without dot below horse - |
| Numisquare ID | 8463582140 |
| Additional information |
Historical Context: This Æ Trishekel dates to a pivotal post-Second Punic War era (201-175 BC) when Carthage, stripped of its empire by Rome, focused on internal economic recovery. Though no single monarch ruled, the suffete system presided over a period of significant agricultural and commercial resurgence, often attributed to the reforms initiated by Hannibal Barca before his exile. This coinage signifies Carthage's resilience, transitioning from a maritime power to a robust regional economy, despite operating under the increasing shadow of Roman hegemony.
Artistry: The engraver remains anonymous, typical for Punic issues. This coin belongs to the Punic-Hellenistic stylistic school, blending indigenous Carthaginian iconography with Greek artistic conventions. Obverse designs commonly feature the wreathed head of Tanit, often assimilated with Persephone, rendered with a degree of Hellenistic naturalism. The reverse typically depicts a standing or prancing horse, a powerful Carthaginian symbol representing their renowned cavalry and agricultural prosperity, executed with dynamic realism.
Technical/Grading: Struck on a substantial 28mm bronze flan weighing 18 grams, this denomination is notable for its size. High-points for the obverse typically include the wreath and facial features, while the horse's mane, musculature, and hooves define the reverse's highest relief. Technical strike qualities can vary; bronze issues often exhibit some degree of off-centering or flan irregularity. Well-struck examples will show clear definition in the deity's coiffure and the horse's anatomy, with full legends if present.