Каталог
| Эмитент | Kydonia (Crete (ancient)) |
|---|---|
| Год | 200 BC - 150 BC |
| Тип | Standard circulation coin |
| Номинал | Trihemiobol (¼) |
| Валюта | Aeginetic drachm |
| Состав | Silver |
| Вес | 1.42 g |
| Диаметр | 13 mm |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | Variable alignment ↺ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | SvoronosCr#18, SNG Copenhagen#411, Traité III#1758, SNG Delepierre#2358, Dewing#2003 |
| Описание аверса | Head of youthful Pan to left, with animal ear and horn over his brow. |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Hound seated to right. |
| Письменность реверса | Greek |
| Надписи реверса | KY |
| Гурт | |
| Монетный двор | Cydonia, Crete, modern-day Chania, Greece |
| Тираж | ND (200 BC - 150 BC) |
| ID Numisquare | 5512797164 |
| Дополнительная информация |
Historical Context: This silver trihemiobol was issued by Kydonia, a prominent city-state on ancient Crete, during the turbulent Hellenistic period between 200 BC and 150 BC. This era was characterized by shifting alliances and intense inter-city rivalries. The issuance of its own coinage underscored Kydonia's significant economic standing and its assertion of civic autonomy amidst the volatile political landscape of the island, where it was often a key player.
Artistry: While the specific engraver remains anonymous, this coin exemplifies the broader Hellenistic artistic tradition. Kydonian coinage frequently featured local iconography, such as the head of a nymph (perhaps Kydonia herself or Britomartis) or the distinctive Kydonian archer. The stylistic school favored refined, often idealized, yet increasingly naturalistic representations, characteristic of the period's artistic developments. Despite the small flan size, die cutters aimed to convey a sense of grace and detailed craftsmanship.
Technical/Grading: This silver trihemiobol, weighing 1.42 grams and measuring 13 millimeters, represents a common fractional denomination. For optimal grading, collectors seek a well-centered strike that fully captures the design elements on both obverse and reverse, particularly the highest points such as hair details or facial contours. Due to the small flan size, off-centering or partial strikes are not uncommon. A full, clear strike with minimal die wear and good metal quality is highly desirable for this type.